Color Prints
Showing all 113 results
Abel-Truchet, Louis
(1857 - 1918)
French
“Le Quadrille”, c. 1890
Color lithograph
20 ½" x 28 ¼"
Printed title in margin
Signed and monogrammed in stone
“Le Quadrille”, c. 1890
Color lithograph
20 ½" x 28 ¼"
Printed title in margin
Signed and monogrammed in stone
Abel-Truchet, Louis
(1857 - 1918)
French
“Tattersall Français”, 1896
Color lithograph
8" x 6"
Signed in stone
“Tattersall Français”, 1896
Color lithograph
8" x 6"
Signed in stone
ARTIST UNKNOWN
“Nous Saurons: Nous en Priver [We Can Make an Effort Too]”, 1918
Color lithograph
From the series of posters commissioned by the French Ministry of Education to promote saving during World War I. The artists were school children between the ages of 11-16 years.
19 7/16” x 12 1/4”
Signed in stone
Color lithograph
From the series of posters commissioned by the French Ministry of Education to promote saving during World War I. The artists were school children between the ages of 11-16 years.
19 7/16” x 12 1/4”
Signed in stone
ARTIST UNKNOWN
“Français économizer le gaz”, 1918
Color lithograph
From the series of posters commissioned by the French Ministry of Education to promote savings during World War I. The artists were schoolchildren between the ages of 11-16 years.
19 ½" x 13 ¼"
Unlined and with original advertising prospectus
Signed "Jeanne Falourhoux" in stone
Color lithograph
From the series of posters commissioned by the French Ministry of Education to promote savings during World War I. The artists were schoolchildren between the ages of 11-16 years.
19 ½" x 13 ¼"
Unlined and with original advertising prospectus
Signed "Jeanne Falourhoux" in stone
ARTIST UNKNOWN
“Je suis une brave poule de guerre. Je mange peu et produis beaucoup.”, 1918
Color lithograph mounted on linen
From the series of posters commissioned by the French Ministry of Education to promote saving during World War I. The artists were schoolchildren between the ages of 11-16 years.
18 ¾" x 12 ⅝"
Signed "G. Douanne" in stone
Color lithograph mounted on linen
From the series of posters commissioned by the French Ministry of Education to promote saving during World War I. The artists were schoolchildren between the ages of 11-16 years.
18 ¾" x 12 ⅝"
Signed "G. Douanne" in stone
Auriol, Georges
(1863 - 1938)
French
“Carte de vœux - Noël 1914”, 1914
Color lithograph
7 ⅛" x 4 ½"
Monogrammed in stone
“Carte de vœux - Noël 1914”, 1914
Color lithograph
7 ⅛" x 4 ½"
Monogrammed in stone
Auriol, Georges
(1863 - 1938)
French
“Carte de Vœux - Noël 1934”, 1934
Color lithograph
6 ⅝" x 4
Monogrammed in stone
“Carte de Vœux - Noël 1934”, 1934
Color lithograph
6 ⅝" x 4
Monogrammed in stone
Auriol, Georges
(1863 - 1938)
French
“Carte de vœux - Noël 1919”, 1919
Color lithograph
7" x 4 ¾"
Monogrammed in stone
“Carte de vœux - Noël 1919”, 1919
Color lithograph
7" x 4 ¾"
Monogrammed in stone
Barbier, George
(1882 - 1932)
French
“Robe de chambre”, 1913
Pochoir and etching
Published in “Journal des dames et des modes”; Issue 41, Plate 96
7" x 4 ¼"
Printed signature and date in plate
“Robe de chambre”, 1913
Pochoir and etching
Published in “Journal des dames et des modes”; Issue 41, Plate 96
7" x 4 ¼"
Printed signature and date in plate
Boizot, Émile
(1887 - 1932)
French
“(Parisienne)”, c. 1910
Color woodcut
12 ⅞" x 6 ⅜"
Margins trimmed
Monogrammed in image
“(Parisienne)”, c. 1910
Color woodcut
12 ⅞" x 6 ⅜"
Margins trimmed
Monogrammed in image
Bottini, George
(1874 - 1907)
French
“Personnages au Clair de Lune (Southard 4)”, 1895-96
Color woodblock
Anatomical drawings in red pencil in the front margin and verso and hand-written notes in blue pencil on verso, possibly by the artist.
10" x 8"
Signed in pencil in margin
“Personnages au Clair de Lune (Southard 4)”, 1895-96
Color woodblock
Anatomical drawings in red pencil in the front margin and verso and hand-written notes in blue pencil on verso, possibly by the artist.
10" x 8"
Signed in pencil in margin
Coussens, Armand
(1881 - 1935)
French
“Les Trois bibliophiles (A.C. 131)”, 1927
Color soft ground etching printed on Japon paper
5" x 4 ¼"
Signed in pencil in margin
“Les Trois bibliophiles (A.C. 131)”, 1927
Color soft ground etching printed on Japon paper
5" x 4 ¼"
Signed in pencil in margin
Coussens, Armand
(1881 - 1935)
French
“Le Bibliophile gros (A.C. 128)”, 1926
Color soft ground etching printed on Japon paper
6 ⅛" x 5"
Signed in pencil in margin
“Le Bibliophile gros (A.C. 128)”, 1926
Color soft ground etching printed on Japon paper
6 ⅛" x 5"
Signed in pencil in margin
Cross, Henri-Edmond
(1856 - 1910)
French
“In den Champs-Élysées”, 1898
Lithograph printed in colors on chine paper
Issued in Pan, Vol. IV, Nº 1
8" x 10 ⅜"
Signed in plate
“In den Champs-Élysées”, 1898
Lithograph printed in colors on chine paper
Issued in Pan, Vol. IV, Nº 1
8" x 10 ⅜"
Signed in plate
Dearmer, Mabel
(1872 - 1915)
British
“Ibsen’s Brand”, 1895
Color lithograph mounted on linen
25 15/16" x 19"
Framed
Signed in stone
“Ibsen’s Brand”, 1895
Color lithograph mounted on linen
25 15/16" x 19"
Framed
Signed in stone
Delâtre, Eugène
(1864 - 1938)
French
“Tête de la Parisienne”, 1893
Color etching and aquatint
Published in "L'Artiste", Nº 1
7 ¼" x 5 ¼"
Etched title in image
Signed and dated in plate
“Tête de la Parisienne”, 1893
Color etching and aquatint
Published in "L'Artiste", Nº 1
7 ¼" x 5 ¼"
Etched title in image
Signed and dated in plate
Delâtre, Eugène
(1864 - 1938)
French
“L'Homme à la bêche”, 1892
Color etching
7" x 5 ¼"
Monogrammed in red in margin (L. 105)
Signed in blue pencil in margin
“L'Homme à la bêche”, 1892
Color etching
7" x 5 ¼"
Monogrammed in red in margin (L. 105)
Signed in blue pencil in margin
Denis, Maurice
(1870 - 1943)
French
“Concerts du Petit Frère et de la Petite Sœur (C. 124)”, 1903
Color lithograph cover for music score
8 pages loose as issued and contained in decorated paper wrapper
13 ¾" x 10 ¾"
Monogrammed in stone
“Concerts du Petit Frère et de la Petite Sœur (C. 124)”, 1903
Color lithograph cover for music score
8 pages loose as issued and contained in decorated paper wrapper
13 ¾" x 10 ¾"
Monogrammed in stone
Denis, Maurice
(1870 - 1943)
French
“Nos âmes, en des gestes lents (C.116)”, 1899
Color lithograph printed on Chine paper
Published in "Amour: Douze lithographs en couleurs"
Edition of 100
11 ¾" x 16"
Small paper loss to lower right corner
Title printed in margin
Signed in pencil in margin
“Nos âmes, en des gestes lents (C.116)”, 1899
Color lithograph printed on Chine paper
Published in "Amour: Douze lithographs en couleurs"
Edition of 100
11 ¾" x 16"
Small paper loss to lower right corner
Title printed in margin
Signed in pencil in margin
Estèbe, Michel
(1954 - )
French
“Kingfisher”, 2019
Mezzotint printed in colors
Artist's proof aside from the edition of 10
10 ⅜" x 6 ¼"
SIgned, titled, numbered and dated in pencil in margin
“Kingfisher”, 2019
Mezzotint printed in colors
Artist's proof aside from the edition of 10
10 ⅜" x 6 ¼"
SIgned, titled, numbered and dated in pencil in margin
Estèbe, Michel
(1954 - )
French
“Tortue”, 2000
Mezzotint printed in colors
From the edition of 12 Artist's Proofs
4 ⅝" x 7 ½"
Signed, titled, dated and numbered in pencil in margin
“Tortue”, 2000
Mezzotint printed in colors
From the edition of 12 Artist's Proofs
4 ⅝" x 7 ½"
Signed, titled, dated and numbered in pencil in margin
Evenepoel, Henri
(1872 - 1899)
French, Belgian
“Au Square”, 1897
Color lithograph
13 ⅛" x 9 ⅛"
Blind stamped “L’Estampe Moderne” in margin
Signed in stone
“Au Square”, 1897
Color lithograph
13 ⅛" x 9 ⅛"
Blind stamped “L’Estampe Moderne” in margin
Signed in stone
Grasset, Eugène S.
(1841 - 1917)
Swiss
“1899 Calendrier offert par La Belle Jardinière”, 1898
Color lithograph
19" x 14"
Monogrammed in image
“1899 Calendrier offert par La Belle Jardinière”, 1898
Color lithograph
19" x 14"
Monogrammed in image
Houdard, Charles
(1855 - 1931)
French
“Invitation to "Dîner des Amis de l'Art Japonais le 22 mars 1912"”, 1912
Color woodblock printed on Japon paper
5" x 7 ½"
Signed in image with cramponné in black ink and monogram in red ink (Lugt 555A)
“Invitation to "Dîner des Amis de l'Art Japonais le 22 mars 1912"”, 1912
Color woodblock printed on Japon paper
5" x 7 ½"
Signed in image with cramponné in black ink and monogram in red ink (Lugt 555A)
Ilsted, Peter Vilhelm
(1861 - 1933)
Danish
“Expecting a Guest (O/S 6)”, 1911
Mezzotint printed in colors
Edition of 150
13" x 15"
Signed in pencil in margin
“Expecting a Guest (O/S 6)”, 1911
Mezzotint printed in colors
Edition of 150
13" x 15"
Signed in pencil in margin
Ilsted, Peter Vilhelm
(1861 - 1933)
Danish
“Svampe [Mushrooms](O/S 18)”, 1913
Mezzotint printed in colors
Edition of 40
8 ⅜" x 14 ¼"
Signed and numbered in pencil in margin
“Svampe [Mushrooms](O/S 18)”, 1913
Mezzotint printed in colors
Edition of 40
8 ⅜" x 14 ¼"
Signed and numbered in pencil in margin
Ilsted, Peter Vilhelm
(1861 - 1933)
Danish
“Ung Pige med en Bakke [Girl with a Tray](O/S 33)”, 1915
Mezzotint printed in colors
Edition unknown
The model is one of the artist's daughters
19 ¼" x 15 ¾"
Signed in pencil in margin
“Ung Pige med en Bakke [Girl with a Tray](O/S 33)”, 1915
Mezzotint printed in colors
Edition unknown
The model is one of the artist's daughters
19 ¼" x 15 ¾"
Signed in pencil in margin
Isaac, Prosper-Alphonse
(1858 - 1924)
French
“Saint-Valery-sur-Somme”, c. 1910
Color woodcut
7 ⅜" x 5"
May have been trimmed
Signed twice in image with cramponné and monogram
“Saint-Valery-sur-Somme”, c. 1910
Color woodcut
7 ⅜" x 5"
May have been trimmed
Signed twice in image with cramponné and monogram
Isaac, Prosper-Alphonse
(1858 - 1924)
French
“Tête de coq”, c. 1910
Color woodcut
8 ¾" x 7 ⅛"
Stamped with monogram in red, and cramponné in black, in image
“Tête de coq”, c. 1910
Color woodcut
8 ¾" x 7 ⅛"
Stamped with monogram in red, and cramponné in black, in image
Isaac, Prosper-Alphonse
(1858 - 1924)
French
“Serviettes de table”, c. 1910
Color woodcut with mica
Used as a menu for dinner on May 14th, 1913, at the Restaurant du Cardinal for "Les Amis de l'Art Japonaise"
5" x 7 ¼"
Signed twice in image with monogram in red ink and cramponné in black ink
“Serviettes de table”, c. 1910
Color woodcut with mica
Used as a menu for dinner on May 14th, 1913, at the Restaurant du Cardinal for "Les Amis de l'Art Japonaise"
5" x 7 ¼"
Signed twice in image with monogram in red ink and cramponné in black ink
Isaac, Prosper-Alphonse
(1858 - 1924)
French
“Radis (Vabre 133)”, c. 1910
Color woodcut on Japan paper
3 ⅜" x 5 7/16"
Red monogram stamp in image
“Radis (Vabre 133)”, c. 1910
Color woodcut on Japan paper
3 ⅜" x 5 7/16"
Red monogram stamp in image
Isaac, Prosper-Alphonse
(1858 - 1924)
French
“Vieux coq”, 1908-12
Woodblock printed in colors
9 ⅜" x 13 ¾"
Pale humidity stain on left
Signed in image with cramponné in black ink and monogram in red ink (L. 4990)
“Vieux coq”, 1908-12
Woodblock printed in colors
9 ⅜" x 13 ¾"
Pale humidity stain on left
Signed in image with cramponné in black ink and monogram in red ink (L. 4990)
Koehler, Mela
(1885 - 1960)
Austrian
“Wiener Werkstätte Postkarte Nº 521”, 1911
Color lithograph printed on card
From a series of 6 postcards of styles presented at the first Wiener Werkstätte fashion show in April 1911
5 ½" x3 ½"
Signed in stone
“Wiener Werkstätte Postkarte Nº 521”, 1911
Color lithograph printed on card
From a series of 6 postcards of styles presented at the first Wiener Werkstätte fashion show in April 1911
5 ½" x3 ½"
Signed in stone
Koehler, Mela
(1885 - 1960)
Austrian
“The Four Seasons”, 1917
Color lithographs
4 Postcards on 1 sheet
4 ½" x 3 ¼" each
Each card is signed in stone "Mela Koehler Wien 1917"
“The Four Seasons”, 1917
Color lithographs
4 Postcards on 1 sheet
4 ½" x 3 ¼" each
Each card is signed in stone "Mela Koehler Wien 1917"
Kurzweil, Maximilian
(1867 - 1916)
Austrian
“Der Polster [The Cushion]”, 1903
Color woodcut printed on Japanese laid paper and mounted on original brown Japan card
Published in the annual print portfolio "Jahresmappe der Gesellschaft für Vervielfältigende Kunst in Wien [Society for Reproduction Art in Vienna]"
The subject is the artist's wife, Martha
11 ¼" x 10 ¼"
“Der Polster [The Cushion]”, 1903
Color woodcut printed on Japanese laid paper and mounted on original brown Japan card
Published in the annual print portfolio "Jahresmappe der Gesellschaft für Vervielfältigende Kunst in Wien [Society for Reproduction Art in Vienna]"
The subject is the artist's wife, Martha
11 ¼" x 10 ¼"
Lafitte, Alphonse
(1863 - )
French
“(Bayside)”, c. 1924
Color etching with aquatint
Edition approximately 300
13 ⅝" x 20 ¾"
Signed in pencil in margin
“(Bayside)”, c. 1924
Color etching with aquatint
Edition approximately 300
13 ⅝" x 20 ¾"
Signed in pencil in margin
Lafitte, Alphonse
(1863 - )
French
“(Low Tide)”, c. 1925
Color etching and aquatint
Edition approximately 350
13 ¼" x 19 ¼"
Signed and annotated "171" in pencil in margin
“(Low Tide)”, c. 1925
Color etching and aquatint
Edition approximately 350
13 ¼" x 19 ¼"
Signed and annotated "171" in pencil in margin
Lafitte, Alphonse
(1863 - )
French
“(Setting Sail)”, 1924
Color etching and aquatint
Edition of 350
8 ½" x 12 ½"
Signed and numbered in pencil in margin
“(Setting Sail)”, 1924
Color etching and aquatint
Edition of 350
8 ½" x 12 ½"
Signed and numbered in pencil in margin
Lepape, Georges
(1887 - 1971)
French
“Le Chapeau”, 1911
Pochoir
Published in “Les Choses de Paul Poiret”
Edition of 300
9 ½" x 10 ⅝"
“Le Chapeau”, 1911
Pochoir
Published in “Les Choses de Paul Poiret”
Edition of 300
9 ½" x 10 ⅝"
Lepape, Georges
(1887 - 1971)
French
“Le Miroir Rouge”, 1919
Pochoir
Issued in "Feuillets d'art", Nº 1, Mai 1919
9 11/16" x 6 15/16"
Printed signature in image
“Le Miroir Rouge”, 1919
Pochoir
Issued in "Feuillets d'art", Nº 1, Mai 1919
9 11/16" x 6 15/16"
Printed signature in image
Lepape, Georges
(1887 - 1971)
French
“La Biche Blanche”, 1916
Pochoir and heavy gouache
Set design for “Revue”
Edition of 25
8 ¾" x 7"
Printed signature and date in image
Signed and numbered in pencil in margin
“La Biche Blanche”, 1916
Pochoir and heavy gouache
Set design for “Revue”
Edition of 25
8 ¾" x 7"
Printed signature and date in image
Signed and numbered in pencil in margin
Lepape, Georges
(1887 - 1971)
French
“La Plume”, 1913/14
Pochoir
Edition of 30
6" x 5"
Signed, numbered and initialed in pencil in margin
“La Plume”, 1913/14
Pochoir
Edition of 30
6" x 5"
Signed, numbered and initialed in pencil in margin
Lepape, Georges
(1887 - 1971)
French
“La Victoire”, 1919
Pochoir
Published in "Modes et Manières d'Aujourd'hui" Volume III, Plate XII
8" x 5 ¼"
Printed title and signature in margin
“La Victoire”, 1919
Pochoir
Published in "Modes et Manières d'Aujourd'hui" Volume III, Plate XII
8" x 5 ¼"
Printed title and signature in margin
Lepape, Georges
(1887 - 1971)
French
“The Birdcage”, 1912
Pochoir
Published in "Les Choses de Paul Poiret"
11 ½" x 6"
Signed in plate
“The Birdcage”, 1912
Pochoir
Published in "Les Choses de Paul Poiret"
11 ½" x 6"
Signed in plate
Lepape, Georges
(1887 - 1971)
French
“Garçonne à la rose”, 1926
Pochoir
Carte de vœux for 1927
4 ¾" x 3 ⅛"
Printed signature in margin
“Garçonne à la rose”, 1926
Pochoir
Carte de vœux for 1927
4 ¾" x 3 ⅛"
Printed signature in margin
Likarz, Maria
(1893 - 1971)
Austrian
“Wiener Werkstätte Postkarte Nº 566”, 1911
Color lithograph printed on card stock
5 ½" x 3 ½"
“Wiener Werkstätte Postkarte Nº 566”, 1911
Color lithograph printed on card stock
5 ½" x 3 ½"
Likarz, Maria
(1893 - 1971)
Austrian
“Wiener Werkstätte Postkarte Nº 558”, 1911
Color lithograph printed on card stock
5 ½" x 3 ½"
Small ink smudge in image
Monogrammed in image
“Wiener Werkstätte Postkarte Nº 558”, 1911
Color lithograph printed on card stock
5 ½" x 3 ½"
Small ink smudge in image
Monogrammed in image
Löffler, Bertold
(1874 - 1960)
Austrian
“Three Masks”, 1907
Color lithograph
Small poster for "Fledermaus Theater und Kabarett"
10 11/16" x 7 5/16"
Monogrammed in stone
“Three Masks”, 1907
Color lithograph
Small poster for "Fledermaus Theater und Kabarett"
10 11/16" x 7 5/16"
Monogrammed in stone
Löffler, Bertold
(1874 - 1960)
Austrian
“Wiener Werkstätte Postkarte Nº 915: Pomona”, 1912/13
Color lithograph printed on card
Green verso
5 ½" x 3 ½"
Unsent
Initialed in plate
“Wiener Werkstätte Postkarte Nº 915: Pomona”, 1912/13
Color lithograph printed on card
Green verso
5 ½" x 3 ½"
Unsent
Initialed in plate
Löffler, Bertold
(1874 - 1960)
Austrian
“Wiener Werkstätte Postkarte Nº 913: Flora”, 1912/13
Color lithograph printed on card
Green verso
5 ½" x 3 ½"
Unsent
Initialed in plate
“Wiener Werkstätte Postkarte Nº 913: Flora”, 1912/13
Color lithograph printed on card
Green verso
5 ½" x 3 ½"
Unsent
Initialed in plate
Malo-Renault, Émile-Auguste
(1870 - 1938)
French
“Cinq Heures - Rue de la Paix”, 1913
Color etching
14 ¾" x 11 ¼"
Blind stamped in margin
Monogrammed, titled and dated in plate
Signed in pencil in margin
“Cinq Heures - Rue de la Paix”, 1913
Color etching
14 ¾" x 11 ¼"
Blind stamped in margin
Monogrammed, titled and dated in plate
Signed in pencil in margin
Picart Le Doux, Charles
(1881 - 1959)
French
“Jeune femme appuyé sur son coude”, c. 1905
Etching and aquatint with watercolor highlights
Edition of 90
16 ¼" x 12 ¾"
Signed and numbered in pencil in margin
“Jeune femme appuyé sur son coude”, c. 1905
Etching and aquatint with watercolor highlights
Edition of 90
16 ¼" x 12 ¾"
Signed and numbered in pencil in margin
Ranft, Richard
(1862 - 1931)
French
“Maison Close”, c. 1900
Etching printed in colors
Numbered in pencil in margin. Edition of 50?
5 ¾" x 8 ½"
Signed in plate
“Maison Close”, c. 1900
Etching printed in colors
Numbered in pencil in margin. Edition of 50?
5 ¾" x 8 ½"
Signed in plate
Robbe, Emmanuel (Manuel)
(1872 - 1936)
French
“Le Marché aux fleurs à Paris”, c. 1928
Color etching and aquatint
14" x 10 ¾"
Signed in pencil in margin
“Le Marché aux fleurs à Paris”, c. 1928
Color etching and aquatint
14" x 10 ¾"
Signed in pencil in margin
Robbe, Emmanuel (Manuel)
(1872 - 1936)
French
“Femme à l'estampe" or "La Belle épreuve”, 1906
Color etching and aquatint
Edition of 100
21" x 14 ¾"
Signed in pencil in margin
“Femme à l'estampe" or "La Belle épreuve”, 1906
Color etching and aquatint
Edition of 100
21" x 14 ¾"
Signed in pencil in margin
Roussel, Ker-Xavier
(1867 - 1944)
French
“La Source (Solomon 20)”, 1899
Color lithograph printed on China paper
Published in "L'Album de Paysage"
Edition of 100
12 ½" x 16 ¼"
“La Source (Solomon 20)”, 1899
Color lithograph printed on China paper
Published in "L'Album de Paysage"
Edition of 100
12 ½" x 16 ¼"
Roussel, Ker-Xavier
(1867 - 1944)
French
“Femmes dans la campagne (Salomon 19; Johnson 134-6)”, 1898
Color lithograph printed on chine volant
Edition of 100
9 ¼" x 12 ¾"
Signed in pencil in margin
“Femmes dans la campagne (Salomon 19; Johnson 134-6)”, 1898
Color lithograph printed on chine volant
Edition of 100
9 ¼" x 12 ¾"
Signed in pencil in margin
Sacchetti, Enrico
(1877 - 1969)
Italian
“(Beads and Feathers)”, 1913
Pochoir
Published in “Robes et Femmes”
Edition of 300
12 ⅞" x 10"
Signed in plate
“(Beads and Feathers)”, 1913
Pochoir
Published in “Robes et Femmes”
Edition of 300
12 ⅞" x 10"
Signed in plate
Seguy, Émile Alain
(1877 - 1951)
French
“Digitale/Soleil”, 1902
Pochoir
Plate from “Les Fleurs et leurs applications décoratives”
14 ½" x 10 ⅜"
“Digitale/Soleil”, 1902
Pochoir
Plate from “Les Fleurs et leurs applications décoratives”
14 ½" x 10 ⅜"
Seguy, Émile Alain
(1877 - 1951)
French
“Rhododendron/Lunaire”, 1902
Pochoir
Plate from "Les Fleurs et leurs applications décoratives"
15 ½" x 11"
“Rhododendron/Lunaire”, 1902
Pochoir
Plate from "Les Fleurs et leurs applications décoratives"
15 ½" x 11"
Seguy, Émile Alain
(1877 - 1951)
French
“Glycine/Vigne”, 1902
Pochoir
Plate from “Les Fleurs et leurs applications décoratives”
15 ¾" x 11 ¼"
“Glycine/Vigne”, 1902
Pochoir
Plate from “Les Fleurs et leurs applications décoratives”
15 ¾" x 11 ¼"
Sem, (Georges Goursat)
(1863 - 1934)
French
“Plate from “White Bottoms - The Greatest Newspaper in the World”, 1927
Lithograph and pochoir
Figures are Josephine Baker, a son of the Maharajah of Kapurthala, Calouste Gulbenkian and Erskine Gwynne
18 ¼" x 11 ¼"
Signed in plate
“Plate from “White Bottoms - The Greatest Newspaper in the World”, 1927
Lithograph and pochoir
Figures are Josephine Baker, a son of the Maharajah of Kapurthala, Calouste Gulbenkian and Erskine Gwynne
18 ¼" x 11 ¼"
Signed in plate
Simon, Tavik Frantisek
(1877 - 1942)
Czech
“During a Wind at Sea (Novak 306; Baker 160)”, 1919
Color soft ground etching
Edition of 60
7 ⅝" x 11 ½"
Stamped with red monogram in image and green monogram in margin (Lugt 1050)
Signed in pencil in margin
“During a Wind at Sea (Novak 306; Baker 160)”, 1919
Color soft ground etching
Edition of 60
7 ⅝" x 11 ½"
Stamped with red monogram in image and green monogram in margin (Lugt 1050)
Signed in pencil in margin
Steinlen, Théophile Alexandre
(1859 - 1923)
Swiss
“Exhibition Invitation”, 1903
Color lithograph
3 ½" x 4 ¾"
Printed monogram in image
“Exhibition Invitation”, 1903
Color lithograph
3 ½" x 4 ¾"
Printed monogram in image
Steinlen, Théophile Alexandre
(1859 - 1923)
Swiss
“Des Chats - Dessins sans paroles (Crauzat 215)”, 1898
Lithograph printed in colors on Chine volante paper
Cover for the album published by Flammarion, Paris
18 ½" x 13"
Monogrammed in red ink in stone
“Des Chats - Dessins sans paroles (Crauzat 215)”, 1898
Lithograph printed in colors on Chine volante paper
Cover for the album published by Flammarion, Paris
18 ½" x 13"
Monogrammed in red ink in stone
Sulpis, Émile Jean
(1856 - 1942)
French
“Hôtel des ventes”, c. 1905
Etching printed in colors
2nd State
Edition of 3
6 ¼" x 7 ⅞"
Signed, numbered and annotated "2 état" in pencil in margin
“Hôtel des ventes”, c. 1905
Etching printed in colors
2nd State
Edition of 3
6 ¼" x 7 ⅞"
Signed, numbered and annotated "2 état" in pencil in margin
Vallotton, Félix
(1865 - 1925)
French, Swiss
“Le Chapeau vert (V&G 54)”, 1896
Lithograph printed in colors on Chine paper
Edition of 100
Published in "Études des femmes"
15" x 10 ½"
Monogrammed in stone
Signed in blue pencil in margin
“Le Chapeau vert (V&G 54)”, 1896
Lithograph printed in colors on Chine paper
Edition of 100
Published in "Études des femmes"
15" x 10 ½"
Monogrammed in stone
Signed in blue pencil in margin
Van Dongen, Kees
(1877 - 1968)
Dutch
“Le Rimmel - Femme qui se maquillant (Juffermans JM1)”, 1920
Pochoir and lithograph printed on Japon paper
Issued in Feuillets d’art, Nº 5, April 1920
10" x 8"
Printed signature in image
“Le Rimmel - Femme qui se maquillant (Juffermans JM1)”, 1920
Pochoir and lithograph printed on Japon paper
Issued in Feuillets d’art, Nº 5, April 1920
10" x 8"
Printed signature in image
Verneuil, Maurice P.
(1869 - 1942)
French
“Columbine”, 1895
Pochoir and lithograph
Plate from Eugène Grasset’s “La Plante et ses applications ornementales”
14 ½" x 9 ⅞"
Signed in plate
“Columbine”, 1895
Pochoir and lithograph
Plate from Eugène Grasset’s “La Plante et ses applications ornementales”
14 ½" x 9 ⅞"
Signed in plate
Verneuil, Maurice P.
(1869 - 1942)
French
“Briony”, 1896
Pochoir and lithograph
Published in "La Plante et ses applications ornementales", edited by Eugène Grasset
14 ½" x 10 ⅛"
Printed signature in plate
“Briony”, 1896
Pochoir and lithograph
Published in "La Plante et ses applications ornementales", edited by Eugène Grasset
14 ½" x 10 ⅛"
Printed signature in plate
Verneuil, Maurice P.
(1869 - 1942)
French
“Vigne Pl. 2”, 1895
Pochoir and lithograph
Plate from Eugène Grasset’s “La Plante et ses applications ornementales”
14 ⅜" x 9 ⅞"
Signed in plate
“Vigne Pl. 2”, 1895
Pochoir and lithograph
Plate from Eugène Grasset’s “La Plante et ses applications ornementales”
14 ⅜" x 9 ⅞"
Signed in plate
Verneuil, Maurice P.
(1869 - 1942)
French
“Glycine”, 1895
Pochoir and lithograph
Plate from Eugène Grasset’s “La Plante et ses applications ornementales"
14 ¼" x 9 ½"
Signed in plate
“Glycine”, 1895
Pochoir and lithograph
Plate from Eugène Grasset’s “La Plante et ses applications ornementales"
14 ¼" x 9 ½"
Signed in plate
Verneuil, Maurice P.
(1869 - 1942)
French
“Vigne Pl. 1”, 1895
Pochoir and lithograph
Plate from Eugène Grasset’s “La Plante et ses applications ornementales”
14 ½" x 10 ¾"
Signed in plate
“Vigne Pl. 1”, 1895
Pochoir and lithograph
Plate from Eugène Grasset’s “La Plante et ses applications ornementales”
14 ½" x 10 ¾"
Signed in plate
Vertès, Marcel
(1895 - 1961)
French, Hungarian
“Plate from “Dancing" - "Lady with Red Scarf”, 1925
Color lithograph
Edition of 300
17 ½" x 14 ¼"
Printed signature
“Plate from “Dancing" - "Lady with Red Scarf”, 1925
Color lithograph
Edition of 300
17 ½" x 14 ¼"
Printed signature
Vertès, Marcel
(1895 - 1961)
French, Hungarian
“Plate from “Dancing" - "Couple”, 1925
Color lithograph
Edition of 300
15" x 18"
Signed and numbered in pencil in margin
“Plate from “Dancing" - "Couple”, 1925
Color lithograph
Edition of 300
15" x 18"
Signed and numbered in pencil in margin
Visser, Leo
(1880 - 1950)
Dutch
“November”, 1902
Lithograph printed in colors on textured paper
Page from a 1903 calendar
13 ½" x 7 ¼"
“November”, 1902
Lithograph printed in colors on textured paper
Page from a 1903 calendar
13 ½" x 7 ¼"
Visser, Leo
(1880 - 1950)
Dutch
“Mei”, 1902
Lithograph printed in colors on textured paper
Page from a 1903 calendar
13 ⅝" x 7 ½"
“Mei”, 1902
Lithograph printed in colors on textured paper
Page from a 1903 calendar
13 ⅝" x 7 ½"
Abel-Truchet, Louis
(1857 - 1918)
French
“Les Danseuses”, c. 1900
Color lithograph
20 ⅜" x 28 ⅜"
Publisher’s monogram in stone
Printed title in margin
Signed in stone
“Les Danseuses”, c. 1900
Color lithograph
20 ⅜" x 28 ⅜"
Publisher’s monogram in stone
Printed title in margin
Signed in stone
ARTIST UNKNOWN
“Bals de Paris”, 1900
Black and white photograph carte postale with gouache highlights
Featuring the quadrille of the Moulin Rouge - Cadudja, la Môme Fromage, Serpolette, Nini pattes-en-l’air, la Sauterelle, Miss Rigolette, la Goulue and Rayon d’Or
4 ¼" x 6 ½"
Black and white photograph carte postale with gouache highlights
Featuring the quadrille of the Moulin Rouge - Cadudja, la Môme Fromage, Serpolette, Nini pattes-en-l’air, la Sauterelle, Miss Rigolette, la Goulue and Rayon d’Or
4 ¼" x 6 ½"
Barbier, George
(1882 - 1932)
French
“Laissez-moi seule!”, 1919
Pochoir
Published in "Feuillets d'Art"
10 ½" x 7 ¼"
Printed signature in image
“Laissez-moi seule!”, 1919
Pochoir
Published in "Feuillets d'Art"
10 ½" x 7 ¼"
Printed signature in image
Brunelleschi, Umberto
(1879 - 1949)
French, Italian
“Ishtar - Sahar”, 1919
6 ⅜" x 5 ⅛"
Signed in plate
“Ishtar - Sahar”, 1919
6 ⅜" x 5 ⅛"
Signed in plate
Coussens, Armand
(1881 - 1935)
French
“La Seine au Pont du Carrousel”, c 1920
Color soft ground etching
6 ⅜" x 9 ½"
“La Seine au Pont du Carrousel”, c 1920
Color soft ground etching
6 ⅜" x 9 ½"
Delâtre, Eugène
(1864 - 1938)
French
“Les Pommiers”, 1902
Etching and aquatint printed in colors
Edition of 100
13 ⅛" x 24"
Signed and dated in plate
Red stamped in plate (Lugt 742)
Blind stamped "Ed Sagot Editeur Paris" in margin
Signed and annotated "Nº 81" in pencil in margin
“Les Pommiers”, 1902
Etching and aquatint printed in colors
Edition of 100
13 ⅛" x 24"
Signed and dated in plate
Red stamped in plate (Lugt 742)
Blind stamped "Ed Sagot Editeur Paris" in margin
Signed and annotated "Nº 81" in pencil in margin
Denis, Maurice
(1870 - 1943)
French
“Le bouquet matinale...les larmes (C. 110)”, 1895
Color lithograph printed on Japon paper
Published in “Amour”
Edition of 100
15" x 11"
Printed title in margin
Signed in pencil in margin
“Le bouquet matinale...les larmes (C. 110)”, 1895
Color lithograph printed on Japon paper
Published in “Amour”
Edition of 100
15" x 11"
Printed title in margin
Signed in pencil in margin
Denis, Maurice
(1870 - 1943)
French
“Couverture (C. 107)”, 1897-1899
Color lithograph printed on Chine paper
Published in “Amour”
Edition of 100
21" x 17"
A few spots of humidity in fabric draped at feet and in right margin. Detailed photos sent upon request.
Signed in pencil in margin
“Couverture (C. 107)”, 1897-1899
Color lithograph printed on Chine paper
Published in “Amour”
Edition of 100
21" x 17"
A few spots of humidity in fabric draped at feet and in right margin. Detailed photos sent upon request.
Signed in pencil in margin
Denis, Maurice
(1870 - 1943)
French
“Le Reflet dans la fontaine (C. 100)”, 1897
Color lithograph printed on chine volant
Published by Vollard, Paris, in “L’Album d’estampes originales de la Galerie Vollard”
Edition of 100
16 ¼" x 10"
Signed in pencil in margin
“Le Reflet dans la fontaine (C. 100)”, 1897
Color lithograph printed on chine volant
Published by Vollard, Paris, in “L’Album d’estampes originales de la Galerie Vollard”
Edition of 100
16 ¼" x 10"
Signed in pencil in margin
Estèbe, Michel
(1954 - )
French
“Ombrelle”, 2019
Mezzotint printed in colors
Edition of 60
11 ¾" x 11 ¾"
Signed, titled, numbered and dated in pencil in margin
“Ombrelle”, 2019
Mezzotint printed in colors
Edition of 60
11 ¾" x 11 ¾"
Signed, titled, numbered and dated in pencil in margin
Houdard, Charles
(1855 - 1931)
French
“Grenouilles et iris”, 1894
Color aquatint
Published in “L’Estampe Originale” Album VIII
Edition of 100
10 ¼" x 15 ¾"
Blind stamped in margin
Red monogram stamp in image
Signed and numbered in pencil in margin
“Grenouilles et iris”, 1894
Color aquatint
Published in “L’Estampe Originale” Album VIII
Edition of 100
10 ¼" x 15 ¾"
Blind stamped in margin
Red monogram stamp in image
Signed and numbered in pencil in margin
Ilsted, Peter Vilhelm
(1861 - 1933)
Danish
“Solskin [Sunshine] (O/S 2)”, 1909
Mezzotint printed in colors
The setting is in the Château of Liselund
13" x 10 ⅜"
Signed in pencil in margin
“Solskin [Sunshine] (O/S 2)”, 1909
Mezzotint printed in colors
The setting is in the Château of Liselund
13" x 10 ⅜"
Signed in pencil in margin
Ilsted, Peter Vilhelm
(1861 - 1933)
Danish
“Young Girl Sewing (O/S 4)”, 1910
Mezzotint printed in colors
Edition of 50
6 ½" x 5"
Signed and numbered in pencil in margin
“Young Girl Sewing (O/S 4)”, 1910
Mezzotint printed in colors
Edition of 50
6 ½" x 5"
Signed and numbered in pencil in margin
Ilsted, Peter Vilhelm
(1861 - 1933)
Danish
“Syende Pige ved en Italiensk Villa [Girl Sewing in an Italian Villa]”, 1928
Mezzotint printed in colors
Edition of 50
The sitter is the artist's wife on their honeymoon in Italy in 1891
10 ¼" x 7 ½"
Signed in pencil in margin
“Syende Pige ved en Italiensk Villa [Girl Sewing in an Italian Villa]”, 1928
Mezzotint printed in colors
Edition of 50
The sitter is the artist's wife on their honeymoon in Italy in 1891
10 ¼" x 7 ½"
Signed in pencil in margin
Isaac, Prosper-Alphonse
(1858 - 1924)
French
“Cygne”, c. 1910
Color woodcut
5" x 7 ⅜"
Signed with a cramponné in black ink and the monogram stamp in red ink, in image.
“Cygne”, c. 1910
Color woodcut
5" x 7 ⅜"
Signed with a cramponné in black ink and the monogram stamp in red ink, in image.
Isaac, Prosper-Alphonse
(1858 - 1924)
French
“Crevette (Vabre 128)”, c. 1910
Color woodcut on Japan paper
3 ⅜" x 5"
Minor crease in center
Red monogram stamp in image
“Crevette (Vabre 128)”, c. 1910
Color woodcut on Japan paper
3 ⅜" x 5"
Minor crease in center
Red monogram stamp in image
Lafitte, Alphonse
(1863 - )
French
“(First Light)”, c. 1924
Color etching and aquatint
Edition of 300
13 ⅝" x 19 ⅜"
Signed and numbered in pencil in margin
“(First Light)”, c. 1924
Color etching and aquatint
Edition of 300
13 ⅝" x 19 ⅜"
Signed and numbered in pencil in margin
Lobel-Riche, Alméry
(1877 - 1950)
French
“Femme à la fenêtre”, c. 1900
Drypoint and aquatint
22 ⅝" x 18 ½"
Signed in plate
Signed in red pencil in image
“Femme à la fenêtre”, c. 1900
Drypoint and aquatint
22 ⅝" x 18 ½"
Signed in plate
Signed in red pencil in image
Lobel-Riche, Alméry
(1877 - 1950)
French
“Les Bars”, 1912-13
Etching with drypoint and hand color
From the deluxe edition of 30 apart from the standard edition printed in black
13 ¾" x 9 11/16"
Signed in plate
“Les Bars”, 1912-13
Etching with drypoint and hand color
From the deluxe edition of 30 apart from the standard edition printed in black
13 ¾" x 9 11/16"
Signed in plate
Mucha, Alphonse
(1860 - 1939)
Czech
“Menu: Champagne Moët & Chandon”, c. 1890
Color lithograph
5 ½" x 3 ½"
Signed in stone
“Menu: Champagne Moët & Chandon”, c. 1890
Color lithograph
5 ½" x 3 ½"
Signed in stone
Mucha, Alphonse
(1860 - 1939)
Czech
“Menu: Champagne Moët & Chandon”, 1902
Color lithograph
8 ¼" x 5 ½"
Signed in stone
“Menu: Champagne Moët & Chandon”, 1902
Color lithograph
8 ¼" x 5 ½"
Signed in stone
Nückel, Otto
(1888 - 1955)
German
“Der Tod als Kuppler [Death as a Suitor]”, c. 1920
Color woodcut printed on card
Proof copy
9 ½" x 7"
“Der Tod als Kuppler [Death as a Suitor]”, c. 1920
Color woodcut printed on card
Proof copy
9 ½" x 7"
Ranft, Richard
(1862 - 1931)
French
“Carte d’adresse - Pierrefort”, c. 1900
Color etching
4 ⅛" x 5 ¼"
Signed in plate
“Carte d’adresse - Pierrefort”, c. 1900
Color etching
4 ⅛" x 5 ¼"
Signed in plate
Robbe, Emmanuel (Manuel)
(1872 - 1936)
French
“Exposition Ed. Sagot (Merrill Chase 120)”, 1903
Color etching and aquatint
8 3/16" x 5 9/16"
Signed in plate
“Exposition Ed. Sagot (Merrill Chase 120)”, 1903
Color etching and aquatint
8 3/16" x 5 9/16"
Signed in plate
Sacchetti, Enrico
(1877 - 1969)
Italian
“(Adieu)”, 1913
Pochoir
Published in “Robes et Femmes”
Edition of 300
12" x 10 ½"
Signed in plate
“(Adieu)”, 1913
Pochoir
Published in “Robes et Femmes”
Edition of 300
12" x 10 ½"
Signed in plate
Sacchetti, Enrico
(1877 - 1969)
Italian
“(La Vie en rose)”, 1913
Pochoir
Published in "Robes et Femmes"
Edition of 300
15" x 11"
Slight discoloration on left in background of image
Printed signature in image
“(La Vie en rose)”, 1913
Pochoir
Published in "Robes et Femmes"
Edition of 300
15" x 11"
Slight discoloration on left in background of image
Printed signature in image
Seguy, Émile Alain
(1877 - 1951)
French
“Bouton d'or/Anémone”, 1902
Pochoir
Plate from “Les Fleurs et leurs applications décoratives”
14 ⅝" x 10 ¼"
“Bouton d'or/Anémone”, 1902
Pochoir
Plate from “Les Fleurs et leurs applications décoratives”
14 ⅝" x 10 ¼"
Sem, (Georges Goursat)
(1863 - 1934)
French
“Chez Maxim's”, 1904
Pochoir and lithograph
11 ¾" x 18"
Tear in upper left has been carefully restored Further images available upon request
Colors fresh
Signed in plate
“Chez Maxim's”, 1904
Pochoir and lithograph
11 ¾" x 18"
Tear in upper left has been carefully restored Further images available upon request
Colors fresh
Signed in plate
Simon, Tavik Frantisek
(1877 - 1942)
Czech
“Rue St. Jacques, Paris (Baker 184)”, 1922
Color soft ground etching and aquatint
Edition of 300
11 ⅜" x 14 ½"
Monogrammed in plate
Signed in pencil in margin
“Rue St. Jacques, Paris (Baker 184)”, 1922
Color soft ground etching and aquatint
Edition of 300
11 ⅜" x 14 ½"
Monogrammed in plate
Signed in pencil in margin
Simon, Tavik Frantisek
(1877 - 1942)
Czech
“Quai Voltaire, Paris (Baker 209; Novak 404)”, 1919
Color soft ground etching and aquatint
Edition of 300
12" x 13 ⅝"
Blind stamped “EM (Estampe Moderne)” in margin
Signed and annotated “186” in pencil in margin
“Quai Voltaire, Paris (Baker 209; Novak 404)”, 1919
Color soft ground etching and aquatint
Edition of 300
12" x 13 ⅝"
Blind stamped “EM (Estampe Moderne)” in margin
Signed and annotated “186” in pencil in margin
Sonrel, Élisabeth
(1874 - 1953)
French
“Printemps”, c. 1900
Color lithograph
2nd State/2 with printed title
14" x 11"
Signed in stone
“Printemps”, c. 1900
Color lithograph
2nd State/2 with printed title
14" x 11"
Signed in stone
Sonrel, Élisabeth
(1874 - 1953)
French
“Automne”, c. 1900
Color lithograph
2nd State/2 with printed title
14 ⅛" x 9 ⅝"
Signed in stone
“Automne”, c. 1900
Color lithograph
2nd State/2 with printed title
14 ⅛" x 9 ⅝"
Signed in stone
Verneuil, Maurice P.
(1869 - 1942)
French
“Umbellated Rush”, 1896
Pochoir and lithograph
Plate from Eugène Grasset’s “La Plante et ses applications ornementales”
14 ⅜" x 9 ¾"
Signed in plate
“Umbellated Rush”, 1896
Pochoir and lithograph
Plate from Eugène Grasset’s “La Plante et ses applications ornementales”
14 ⅜" x 9 ¾"
Signed in plate
Verneuil, Maurice P.
(1869 - 1942)
French
“Cercle de la librarie”, 1894
Pochoir
Program for a "Soirée Artistique", 23 octobre 1894
6 ¼" x 3 ¾"
Printed signature in image
“Cercle de la librarie”, 1894
Pochoir
Program for a "Soirée Artistique", 23 octobre 1894
6 ¼" x 3 ¾"
Printed signature in image
Vertès, Marcel
(1895 - 1961)
French, Hungarian
“Plate from “Dancing" - "Waiting to Go Home”, 1925
Color lithograph
Edition of 300
14 ½" x 22"
Signed in pencil
“Plate from “Dancing" - "Waiting to Go Home”, 1925
Color lithograph
Edition of 300
14 ½" x 22"
Signed in pencil