Black & White Prints
Showing all 99 results
Apoux, Joseph
(1846 - 1910)
French
“Le Tourbillon”, c. 1910
Etching and drypoint
8 ⅛" x 7"
Signed and titled in plate
“Le Tourbillon”, c. 1910
Etching and drypoint
8 ⅛" x 7"
Signed and titled in plate
Armington, Caroline
(1875 - 1939)
Canadian
“Le Pont Neuf et le Pont des Arts à Paris”, c. 1910
Etching with remarque
From the series "Vues de Paris"
12 ½" x 15 ¾"
Etched initials in remarque. Printed signature in margin.
“Le Pont Neuf et le Pont des Arts à Paris”, c. 1910
Etching with remarque
From the series "Vues de Paris"
12 ½" x 15 ¾"
Etched initials in remarque. Printed signature in margin.
Belleroche, Albert
(1864 - 1944)
French, British
“Gildys”, 1906
Lithograph
17 ⅞" x 13 ⅛"
Dated “06” in stone
Signed in pencil in margin
“Gildys”, 1906
Lithograph
17 ⅞" x 13 ⅛"
Dated “06” in stone
Signed in pencil in margin
Besnard, Albert
(1849 - 1934)
French
“La Femme - Frontispiece (Delteil 47)”, 1886
Etching and drypoint
Edition of 100
Special impression printed on Japon paper instead of vergé
12 ½" x 9 ¾"
Signed and annotated “Tirée à 100” in pencil in margin
“La Femme - Frontispiece (Delteil 47)”, 1886
Etching and drypoint
Edition of 100
Special impression printed on Japon paper instead of vergé
12 ½" x 9 ¾"
Signed and annotated “Tirée à 100” in pencil in margin
Boussingault, Jean-Louis
(1883 - 1943)
French
“Un Écossais”
Etching
Edition of 25
5” x 3 ⅜"
Signed and numbered in pencil in margin
“Un Écossais”
Etching
Edition of 25
5” x 3 ⅜"
Signed and numbered in pencil in margin
Boutet, Henri
(1851 - 1919)
French
“Le corset”, 1864
Etching and drypoint
7 ⅞" x 6 ⅛"
Initialed in plate
“Le corset”, 1864
Etching and drypoint
7 ⅞" x 6 ⅛"
Initialed in plate
Boutet, Henri
(1851 - 1919)
French
“Announcement for 'Librairie Lecampion'”, c. 1890
Etching and drypoint
5 ¾" x 3 ¾"
Signed in plate
“Announcement for 'Librairie Lecampion'”, c. 1890
Etching and drypoint
5 ¾" x 3 ¾"
Signed in plate
Boutet, Henri
(1851 - 1919)
French
“Le Ruban noir”, c. 1894
Etching and drypoint
6 ⅞" x 4 ¾"
Initialed in plate
“Le Ruban noir”, c. 1894
Etching and drypoint
6 ⅞" x 4 ¾"
Initialed in plate
Boutet, Henri
(1851 - 1919)
French
“Femme devant la cheminée”, c. 1895
Etching and drypoint
7 ¾" x 5"
Signed in plate
“Femme devant la cheminée”, c. 1895
Etching and drypoint
7 ¾" x 5"
Signed in plate
Boutet, Henri
(1851 - 1919)
French
“Femme sorti d’une coquille d’œuf”, c. 1895
Etching and drypoint
6" x 4 ½"
Signed in plate
“Femme sorti d’une coquille d’œuf”, c. 1895
Etching and drypoint
6" x 4 ½"
Signed in plate
Bracquemond, Félix
(1833 - 1914)
French
“Cover for "La Mer"”, 1895
Etching and aquatint printed in sepia
15 ¼" x 10 ⅝"
Signed in plate
“Cover for "La Mer"”, 1895
Etching and aquatint printed in sepia
15 ¼" x 10 ⅝"
Signed in plate
Bracquemond, Félix
(1833 - 1914)
French
“L'Inconnu (Béraldi 174)”, 1860
Etching and drypoint
3rd State/3 - avec la lettre
7 ¼" x 12 ½"
Printed title in margin
Initialed in plate
“L'Inconnu (Béraldi 174)”, 1860
Etching and drypoint
3rd State/3 - avec la lettre
7 ¼" x 12 ½"
Printed title in margin
Initialed in plate
Brouet, Auguste
(1872 - 1941)
French
“Le Vert Galant, Notre Dame et l'Île de la Cité”, c. 1920
Etching and drypoint
Edition of 100
6 ½" x 9"
Blind stamped "Cercle Librairie Estampe" in margin
Signed and numbered in pencil in margin
“Le Vert Galant, Notre Dame et l'Île de la Cité”, c. 1920
Etching and drypoint
Edition of 100
6 ½" x 9"
Blind stamped "Cercle Librairie Estampe" in margin
Signed and numbered in pencil in margin
Chahine, Edgar
(1874 - 1947)
Armenian
“Marée Basse (T.415)”, 1930
Drypoint
Edition of 100
8 ⅝" x 12 ⅝"
Signed in pencil in margin
“Marée Basse (T.415)”, 1930
Drypoint
Edition of 100
8 ⅝" x 12 ⅝"
Signed in pencil in margin
Chahine, Edgar
(1874 - 1947)
Armenian
“Menu pour le dîner des Cent Bibliophiles (T. 114)”, 1905
Drypoint and aquatint
1st State/2 avant la lettre
7 ⅞" x 5 ⅞"
Signed in pencil in margin
“Menu pour le dîner des Cent Bibliophiles (T. 114)”, 1905
Drypoint and aquatint
1st State/2 avant la lettre
7 ⅞" x 5 ⅞"
Signed in pencil in margin
Chahine, Edgar
(1874 - 1947)
Armenian
“Venise - Corte Bottera (T. 354)”, 1922
Etching and drypoint printed on blue/green paper
Edition of 100
11” x 8 ⅝"
Signed in pencil in margin
“Venise - Corte Bottera (T. 354)”, 1922
Etching and drypoint printed on blue/green paper
Edition of 100
11” x 8 ⅝"
Signed in pencil in margin
Chahine, Edgar
(1874 - 1947)
Armenian
“Villiers sur Mer (T. 417)”, 1931
Etching and drypoint
Variant state used as announcement for Galerie Marcel Guiot
3 ⅜" x 5 ⅝"
Signed in plate
“Villiers sur Mer (T. 417)”, 1931
Etching and drypoint
Variant state used as announcement for Galerie Marcel Guiot
3 ⅜" x 5 ⅝"
Signed in plate
Desmazières, Erik
(1948 - )
French
“Derrière le rideau”, 2009
Etching with aquatint and roulette
Plate from the “Suite Musaeum Clausum”
One of 6 examples on blue laid antique paper numbered 25-30/30
11 ½" x 7 ¼"
Signed, titled and numbered in ink in margin
“Derrière le rideau”, 2009
Etching with aquatint and roulette
Plate from the “Suite Musaeum Clausum”
One of 6 examples on blue laid antique paper numbered 25-30/30
11 ½" x 7 ¼"
Signed, titled and numbered in ink in margin
Desmazières, Erik
(1948 - )
French
“Scarabattolo”, 2009-11
Etching with aquatint and roulettte
Plate from the “Suite Musaeum Clausum”
One of 6 examples on blue laid antique paper numbered 25-30/30
10 ⅜" x 14 ½"
Signed, titled, numbered and dated in ink in margin
“Scarabattolo”, 2009-11
Etching with aquatint and roulettte
Plate from the “Suite Musaeum Clausum”
One of 6 examples on blue laid antique paper numbered 25-30/30
10 ⅜" x 14 ½"
Signed, titled, numbered and dated in ink in margin
Dubreuil, Pierre
(1891 - 1970)
French
“Nature morte au masque et au crâne”, 1943
Etching
Edition of 75
9 ¼" x 11 ⅝"
Monogrammed in plate
Signed and numbered in pencil in margin
“Nature morte au masque et au crâne”, 1943
Etching
Edition of 75
9 ¼" x 11 ⅝"
Monogrammed in plate
Signed and numbered in pencil in margin
Dubreuil, Pierre
(1891 - 1970)
French
“Carte de vœux 1956”, 1955
Etching
Edition of 34
5 ½" x 3 ⅞"
Monogrammed in plate
Signed and numbered in pencil
“Carte de vœux 1956”, 1955
Etching
Edition of 34
5 ½" x 3 ⅞"
Monogrammed in plate
Signed and numbered in pencil
Goeneutte, Norbert
(1854 - 1894)
French
“Femme assise au café”, c. 1888
Etching and drypoint
4 ¾" x 3 ⅛"
Signed in plate
“Femme assise au café”, c. 1888
Etching and drypoint
4 ¾" x 3 ⅛"
Signed in plate
Goeneutte, Norbert
(1854 - 1894)
French
“La Promenade”, 1878
Etching and drypoint
3" x 4 ½"
Signed in plate
“La Promenade”, 1878
Etching and drypoint
3" x 4 ½"
Signed in plate
Goeneutte, Norbert
(1854 - 1894)
French
“Les Graveurs du XIX siècle par Henri Béraldi”, 1880
Etching, drypoint and roulette
7 ¼" x 4 ¾"
“Les Graveurs du XIX siècle par Henri Béraldi”, 1880
Etching, drypoint and roulette
7 ¼" x 4 ¾"
Guérard, Henri
(1846 - 1897)
French
“Bateaux en plein mer”, c. 1888
Etching
5 ⅛" x 3 ¾"
Etched signature in margin
“Bateaux en plein mer”, c. 1888
Etching
5 ⅛" x 3 ¾"
Etched signature in margin
Guérard, Henri
(1846 - 1897)
French
“Marionette aux lanternes Japonaises (Bertin 402)”, 1888
Etching and aquatint
Frontispiece for “Les Graveurs du XIX siècle par Henri Béraldi”
8" x 5 ¼"
Monogrammed in lantern
Signed in plate
“Marionette aux lanternes Japonaises (Bertin 402)”, 1888
Etching and aquatint
Frontispiece for “Les Graveurs du XIX siècle par Henri Béraldi”
8" x 5 ¼"
Monogrammed in lantern
Signed in plate
Helleu, Paul César
(1859 - 1927)
French
“Ellen en face”, c. 1900
Drypoint
Ellen Helleu (1887-1942) was the artist's daughter
15 ½" x 11"
Signed in pencil in margin
“Ellen en face”, c. 1900
Drypoint
Ellen Helleu (1887-1942) was the artist's daughter
15 ½" x 11"
Signed in pencil in margin
Helleu, Paul César
(1859 - 1927)
French
“Liseuse aux arums”, c. 1900
Etching and drypoint printed on laid paper
7 15/16" x 7 13/16"
Rubber stamped “PH” on verso
Signed in pencil in margin
“Liseuse aux arums”, c. 1900
Etching and drypoint printed on laid paper
7 15/16" x 7 13/16"
Rubber stamped “PH” on verso
Signed in pencil in margin
Helleu, Paul César
(1859 - 1927)
French
“Meditation”, 1894
Etching and drypoint
Edition of 100
11" x 7 ¾"
Blind stamped “L’Estampe Originale” in margin
Signed and numbered in pencil in margin
“Meditation”, 1894
Etching and drypoint
Edition of 100
11" x 7 ¾"
Blind stamped “L’Estampe Originale” in margin
Signed and numbered in pencil in margin
Huard, Charles
(1874 - 1965)
French
“Bateaux lavoir sur la Seine”, c. 1900
Etching printed in black and red ink
Announcement for A. Maire, Imprimeur
4 ¾" x 6 ¼"
Signed in plate
“Bateaux lavoir sur la Seine”, c. 1900
Etching printed in black and red ink
Announcement for A. Maire, Imprimeur
4 ¾" x 6 ¼"
Signed in plate
Hugo, Valentine
(1887 - 1968)
French
“Portrait d’Arthur Rimbaud à 17 ans d’après Étienne Carjat”, 1954
Etching
1st State/?
Edition of 5
9 ¾" x 7 ¾"
Signed and annotated “4/5, 1er état (illegible)” in pencil in margin.
“Portrait d’Arthur Rimbaud à 17 ans d’après Étienne Carjat”, 1954
Etching
1st State/?
Edition of 5
9 ¾" x 7 ¾"
Signed and annotated “4/5, 1er état (illegible)” in pencil in margin.
Jacquemart, Jules-Ferdinand
(1837 - 1880)
French
“Souvenirs de voyage (Béraldi 329)”, 1862
Etching
Published for the revue of the “Société des Aqua-Fortistes – Eaux-Fortes Modernes”, Vol. I, Pl. 8
9 ⅜" x 13 ¼"
Margins trimmed
Blindstamped “Cadart” in margin
Printed title in margin
Signed and dated in plate
“Souvenirs de voyage (Béraldi 329)”, 1862
Etching
Published for the revue of the “Société des Aqua-Fortistes – Eaux-Fortes Modernes”, Vol. I, Pl. 8
9 ⅜" x 13 ¼"
Margins trimmed
Blindstamped “Cadart” in margin
Printed title in margin
Signed and dated in plate
Jeanniot, Pierre Georges
(1848 - 1934)
French
“Femme assise”, c. 1920
Etching and drypoint
Edition of 102
11 ¾" x 8 ¼"
Embossed monogram in margin
Signed and numbered in pencil in margin
“Femme assise”, c. 1920
Etching and drypoint
Edition of 102
11 ¾" x 8 ¼"
Embossed monogram in margin
Signed and numbered in pencil in margin
Kayser, Edmond Charles
(1882 - 1965)
French
“St. Gervais - Les Quais”, c. 1910
Etching
Edition of 20
6 ¼" x 8 ½"
Signed and numbered in pencil in margin
“St. Gervais - Les Quais”, c. 1910
Etching
Edition of 20
6 ¼" x 8 ½"
Signed and numbered in pencil in margin
Laboureur, Jean-Émile
(1877 - 1943)
French
“L’Araignée au fleurs (S.L. 473)”
“Pour le nouvel an avec les vœux de…”, 1932
Burin
2nd State/2 with printed greeting
Edition of 100
5" x 3 ⅝"
Initialed “L” in plate
Signed in pencil in image
“L’Araignée au fleurs (S.L. 473)”
“Pour le nouvel an avec les vœux de…”, 1932
Burin
2nd State/2 with printed greeting
Edition of 100
5" x 3 ⅝"
Initialed “L” in plate
Signed in pencil in image
Laboureur, Jean-Émile
(1877 - 1943)
French
“Sports d'hiver - Carte de vœux pour 1937 (S.L. 522)”, 1936
Burin
2nd State/2
Edition unknown
4 ¼" x 3"
Initialed "L" in plate
Signed in pencil in image
“Sports d'hiver - Carte de vœux pour 1937 (S.L. 522)”, 1936
Burin
2nd State/2
Edition unknown
4 ¼" x 3"
Initialed "L" in plate
Signed in pencil in image
Laboureur, Jean-Émile
(1877 - 1943)
French
“Cocagne (S.L. 483)"
"Pour le Nouvel An Avec les Vœux de...”, 1933
Etching
3rd State/3 avec la lettre
Edition of 67
4 ⅛" x 3 ⅛"
Initialed "L" in plate
Signed in pencil in image
“Cocagne (S.L. 483)"
"Pour le Nouvel An Avec les Vœux de...”, 1933
Etching
3rd State/3 avec la lettre
Edition of 67
4 ⅛" x 3 ⅛"
Initialed "L" in plate
Signed in pencil in image
Laboureur, Jean-Émile
(1877 - 1943)
French
“Chez la floriste (S.L. 192)”, 1920
Etching
2nd State/2 avec la lettre
7 ¾" x 6"
Printed title in plate, lower margin
Initialed and dated in plate
“Chez la floriste (S.L. 192)”, 1920
Etching
2nd State/2 avec la lettre
7 ¾" x 6"
Printed title in plate, lower margin
Initialed and dated in plate
Laboureur, Jean-Émile
(1877 - 1943)
French
“Ex Libris au joueur de golf (S.L. 394)”, 1929
Etching
2nd State/2
3 ⅛" x 2 ⅜"
Signed in pencil in margin
“Ex Libris au joueur de golf (S.L. 394)”, 1929
Etching
2nd State/2
3 ⅛" x 2 ⅜"
Signed in pencil in margin
Laboureur, Jean-Émile
(1877 - 1943)
French
“Menu pour le 14 juillet au 65 Régiment d’Infanterie (S.L. 21)”, c. 1899
Drypoint
Edition less than 15
7 ⅞" x 4 ⅝"
Signed in plate
Signed in pencil in margin
“Menu pour le 14 juillet au 65 Régiment d’Infanterie (S.L. 21)”, c. 1899
Drypoint
Edition less than 15
7 ⅞" x 4 ⅝"
Signed in plate
Signed in pencil in margin
Lalanne, Maxime
(1827 - 1886)
French
“Le Pont des Arts”, 1868
Drypoint
2nd State/3 avant la lettre, as published in "Sonnets et Eaux Forts"
7 ¾" x 5 ⅛"
Signed in plate
“Le Pont des Arts”, 1868
Drypoint
2nd State/3 avant la lettre, as published in "Sonnets et Eaux Forts"
7 ¾" x 5 ⅛"
Signed in plate
Latenay, Gaston de
(1859 - 1943)
French
“Le Vaisseau fantôme”, n.d.
Etching
Edition of 50
7 ¼" x 7"
Signed and numbered in pencil in margin
“Le Vaisseau fantôme”, n.d.
Etching
Edition of 50
7 ¼" x 7"
Signed and numbered in pencil in margin
Legrand, Louis
(1863 - 1951)
French
“Soireuses (E.316)”, 1905
Etching with drypoint and aquatint
Edition of 70
15 ⅞" x 10 ⅞"
Signed in plate
Signed and numbered in pencil and red stamped in margin
“Soireuses (E.316)”, 1905
Etching with drypoint and aquatint
Edition of 70
15 ⅞" x 10 ⅞"
Signed in plate
Signed and numbered in pencil and red stamped in margin
Léon, Edouard
(1863 - 1951)
French
“Pomponnette Yvonne de Ryck – Menu Dîner du 9 mars”, 1915?
Etching and drypoint
8" x 5 ⅞"
Signed in plate
Annotated “Madame Leon” in violet ink in margin
“Pomponnette Yvonne de Ryck – Menu Dîner du 9 mars”, 1915?
Etching and drypoint
8" x 5 ⅞"
Signed in plate
Annotated “Madame Leon” in violet ink in margin
Lepère, Auguste Louis
(1849 - 1918)
French
“Le Ballon qui tombe”, c. 1900
Etching on chine paper
Edition of 35
5" x 6 ⅞"
Signed and numbered in pencil in margin
“Le Ballon qui tombe”, c. 1900
Etching on chine paper
Edition of 35
5" x 6 ⅞"
Signed and numbered in pencil in margin
Lepère, Auguste Louis
(1849 - 1918)
French
“Démolition de la Maison de Sabra”, 1907
Etching printed on blue laid paper
Edition of 35
10 ¼" x 6"
Signed and numbered in pencil in margin
“Démolition de la Maison de Sabra”, 1907
Etching printed on blue laid paper
Edition of 35
10 ¼" x 6"
Signed and numbered in pencil in margin
Osterlind, Allan
(1855 - 1938)
Swedish
“Portrait de son ami Maxime Maufra devant sa gravure "La Vague"”, c. 1900
Etching and drypoint
7 ⅛" x 5"
Signed in plate
“Portrait de son ami Maxime Maufra devant sa gravure "La Vague"”, c. 1900
Etching and drypoint
7 ⅛" x 5"
Signed in plate
Rab, Pol [Paul Abraham]
(1898 - 1933)
French
“Prohibition”, 1923
Etching and drypoint
11 ¾" x 8"
Signed, dated and annotated “New York" in plate
Signed and annotated “épreuve d’artiste” in pencil in margin
“Prohibition”, 1923
Etching and drypoint
11 ¾" x 8"
Signed, dated and annotated “New York" in plate
Signed and annotated “épreuve d’artiste” in pencil in margin
Ranft, Richard
(1862 - 1931)
French
“Carte de visite "Ed. Sagot"”, 1898
Etching
4 ⅞" x 3 ½"
Signed in plate
“Carte de visite "Ed. Sagot"”, 1898
Etching
4 ⅞" x 3 ½"
Signed in plate
Robida, Albert
(1848 - 1926)
French
“Frontispiece for "Les Graveurs du XIX siècle par Henri Béraldi"”, 1891
Etching
9" x 5"
Signed in plate
“Frontispiece for "Les Graveurs du XIX siècle par Henri Béraldi"”, 1891
Etching
9" x 5"
Signed in plate
Rops, Felicien J.V.
(1833 - 1898)
Belgian
“La Presse (Exteens 589)”, c. 1890
Etching
Design for the calling card of printer F. Nys
3 ¼" x 4 ⅝"
“La Presse (Exteens 589)”, c. 1890
Etching
Design for the calling card of printer F. Nys
3 ¼" x 4 ⅝"
Rouvière, Daniel
(1913 - )
French
“Au courses”, 1942
Etching
Épreuve d'artiste
2 ¾" x 4 ⅝"
Signed and dated in plate
Signed, dated and annotated “Epr. d’artiste” in pencil in margin
“Au courses”, 1942
Etching
Épreuve d'artiste
2 ¾" x 4 ⅝"
Signed and dated in plate
Signed, dated and annotated “Epr. d’artiste” in pencil in margin
Rudinoff, Willibald Wolf
(1866 - )
German
“Announcement for “Imprimerie Artistique A. et Eug. Delâtre””, n.d.
Etching and drypoint
5 ⅞" x 3 ⅝"
Signed in plate
“Announcement for “Imprimerie Artistique A. et Eug. Delâtre””, n.d.
Etching and drypoint
5 ⅞" x 3 ⅝"
Signed in plate
Somm, Henri
(1844 - 1907)
French
“Femme assise au poisson”, c. 1883
Drypoint printed on simile Japan parchment
3rd State/?
Edition of 2
9 ½" x 12 ½"
Signed and annotated “3eme état 2 épreuves” in pencil in margin
“Femme assise au poisson”, c. 1883
Drypoint printed on simile Japan parchment
3rd State/?
Edition of 2
9 ½" x 12 ½"
Signed and annotated “3eme état 2 épreuves” in pencil in margin
Steinlen, Théophile Alexandre
(1859 - 1923)
Swiss
“Plate from “Les Chansons de femmes - Toujours vous (Crauzet 185)”, 1897
Lithograph
Plate from “Les Chansons de femmes”
Edition of 50
7 ½" x 5 13/16"
Signed in stone
Signed in pencil in margin
“Plate from “Les Chansons de femmes - Toujours vous (Crauzet 185)”, 1897
Lithograph
Plate from “Les Chansons de femmes”
Edition of 50
7 ½" x 5 13/16"
Signed in stone
Signed in pencil in margin
Tissandier, Albert
(1839 - 1906)
French
“Frontispiece for "Les Graveurs du XIX siècle par Henri Béraldi"”, c. 1891
Etching
8 ½" x 5 ¾"
Signed in plate
“Frontispiece for "Les Graveurs du XIX siècle par Henri Béraldi"”, c. 1891
Etching
8 ½" x 5 ¾"
Signed in plate
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“Au bord de la mer (W. 47)”, 1880
Etching and drypoint printed on Japan paper
Edition about 100
14 15/16" x 5 7/16"
Signed and dated in plate
Signed in pencil and red stamped in margin
“Au bord de la mer (W. 47)”, 1880
Etching and drypoint printed on Japan paper
Edition about 100
14 15/16" x 5 7/16"
Signed and dated in plate
Signed in pencil and red stamped in margin
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“Le Dimanche matin (W. 72)”, 1883
Etching and drypoint printed on laid paper
Edition about 100
15 ¾" x 7 ½"
Framed
Signed and dated in plate
Red stamped in image
P.O.R.
“Le Dimanche matin (W. 72)”, 1883
Etching and drypoint printed on laid paper
Edition about 100
15 ¾" x 7 ½"
Framed
Signed and dated in plate
Red stamped in image
P.O.R.
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“Le Hamac (W. 46)”, 1880
Etching and drypoint
Edition about 100
10 15/16" x 7 ¼"
Framed
Signed and dated in plate
“Le Hamac (W. 46)”, 1880
Etching and drypoint
Edition about 100
10 15/16" x 7 ¼"
Framed
Signed and dated in plate
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“Le Journal (W. 73)”, 1883
Etching and drypoint
Edition about 100
14 ⅞" x 11 ½"
Signed and dated in plate
Red stamped in image
“Le Journal (W. 73)”, 1883
Etching and drypoint
Edition about 100
14 ⅞" x 11 ½"
Signed and dated in plate
Red stamped in image
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“La Mysterieuse (W.80)”, 1885
Etching and drypoint
Edition about 100
15 ⅝" x 9 ⅞"
Minor cracking along plate mark has been professionally restored
Framed
Signed in plate in margin
“La Mysterieuse (W.80)”, 1885
Etching and drypoint
Edition about 100
15 ⅝" x 9 ⅞"
Minor cracking along plate mark has been professionally restored
Framed
Signed in plate in margin
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“Rêverie (W. 52)”, 1881
Etching and drypoint
Edition about 100
9" x 4 ½"
Signed and dated in plate
“Rêverie (W. 52)”, 1881
Etching and drypoint
Edition about 100
9" x 4 ½"
Signed and dated in plate
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“La Sœur aînée (W. 53)”, 1881
Etching and drypoint
Edition about 100
11 ⅜" x 6"
Signed and dated in plate
“La Sœur aînée (W. 53)”, 1881
Etching and drypoint
Edition about 100
11 ⅜" x 6"
Signed and dated in plate
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“Mon jardin à S.-John's Wood (W. 39)”, 1878
Etching and drypoint printed on fine tissue
Edition about 100
7 ⅜" x 4 ½"
Signed and dated in plate
“Mon jardin à S.-John's Wood (W. 39)”, 1878
Etching and drypoint printed on fine tissue
Edition about 100
7 ⅜" x 4 ½"
Signed and dated in plate
Trignac, Gérard
(1955 - )
French
“La Fin du voyage”, 2001
Etching with drypoint and burin
Edition of 100
3 ¼" x 11 ½"
Signed, dated, titled and numbered in pencil in margin
“La Fin du voyage”, 2001
Etching with drypoint and burin
Edition of 100
3 ¼" x 11 ½"
Signed, dated, titled and numbered in pencil in margin
Trignac, Gérard
(1955 - )
French
“La Gare”, 2009
Etching with burin
Edition of 100
2 ½" x 10 ¼"
Signed, dated, titled and numbered in pencil in margin
“La Gare”, 2009
Etching with burin
Edition of 100
2 ½" x 10 ¼"
Signed, dated, titled and numbered in pencil in margin
Trignac, Gérard
(1955 - )
French
“Le Port (Coustet 91)”, 1996
Etching and drypoint
Épreuve d’artiste
Edition of 25
9 ⅜" x 8 ⅝"
Signed, dated, titled and numbered in pencil in margin
“Le Port (Coustet 91)”, 1996
Etching and drypoint
Épreuve d’artiste
Edition of 25
9 ⅜" x 8 ⅝"
Signed, dated, titled and numbered in pencil in margin
Trignac, Gérard
(1955 - )
French
“Le Salon”, 2008
Etching and drypoint
2nd State/2
Edition of 50
8" x 6 ⅜"
Signed, titled, numbered and dated in pencil in margin
“Le Salon”, 2008
Etching and drypoint
2nd State/2
Edition of 50
8" x 6 ⅜"
Signed, titled, numbered and dated in pencil in margin
Villon, Jacques
(1875 - 1963)
French
“Les Cent Bibliophiles (G&P 250)”, 1910
Etching and drypoint
Edition of 100
9 ½" x 7"
Signed in plate
“Les Cent Bibliophiles (G&P 250)”, 1910
Etching and drypoint
Edition of 100
9 ½" x 7"
Signed in plate
Villon, Jacques
(1875 - 1963)
French
“Le Potin (G & P 96)”, 1905
Drypoint and aquatint printed in greenish ink
3rd State/3
Edition of 50
16 ¼" x 22 ½"
The sitter is Yvonne Bon, Madame Raymond Duchamp, the artist's sister-in-law
Blind stamped "Ed. Sagot Paris" in margin
Signed in plate
Signed and annotated "Nº 35" in pencil in margin
“Le Potin (G & P 96)”, 1905
Drypoint and aquatint printed in greenish ink
3rd State/3
Edition of 50
16 ¼" x 22 ½"
The sitter is Yvonne Bon, Madame Raymond Duchamp, the artist's sister-in-law
Blind stamped "Ed. Sagot Paris" in margin
Signed in plate
Signed and annotated "Nº 35" in pencil in margin
Villon, Jacques
(1875 - 1963)
French
“Carte d’adresse Ed. Sagot (G&P 112; E. 112)”, 1904
Etching and aquatint
The sitters are sisters of Jacques Villon - Yvette Bon and Madeleine Duchamp
8 ⅞" x 6 ⅞"
Signed and dated in plate
“Carte d’adresse Ed. Sagot (G&P 112; E. 112)”, 1904
Etching and aquatint
The sitters are sisters of Jacques Villon - Yvette Bon and Madeleine Duchamp
8 ⅞" x 6 ⅞"
Signed and dated in plate
Webb, A.C.
(1888 - 1975)
American
“Sunlit Terraces of Amalfi”, 1930
Etching and drypoint
Edition of 90
15" x 11 ½"
Signed, titled and dated in work
Signed, titled and numbered in pencil in margin
“Sunlit Terraces of Amalfi”, 1930
Etching and drypoint
Edition of 90
15" x 11 ½"
Signed, titled and dated in work
Signed, titled and numbered in pencil in margin
Webster, Herman A.
(1878 - 1970)
French, American
“Rue Brise-Miche”, 1906
Etching
8 ⅝" x 5 ⅞"
Monogrammed and dated in plate
“Rue Brise-Miche”, 1906
Etching
8 ⅝" x 5 ⅞"
Monogrammed and dated in plate
Whistler, James Abbott McNeill
(1834 - 1903)
American
“Afternoon Tea (W.147, L.114, Chicago 173)”, 1897
Transfer lithograph
Edition about 100
7 ½" x 6 ¼"
Monogrammed in stone with butterfly
“Afternoon Tea (W.147, L.114, Chicago 173)”, 1897
Transfer lithograph
Edition about 100
7 ½" x 6 ¼"
Monogrammed in stone with butterfly
Whistler, James Abbott McNeill
(1834 - 1903)
American
“Gants de suède (W. 26; L. 40; Chicago 35)”, 1890
Transfer lithograph
Published in The Studio 3, No 13, 16 April 1894
Edition of 3000
8 ½" x 4 ¼"
Blind stamped "The Studio London"
Monogrammed in stone with butterfly
“Gants de suède (W. 26; L. 40; Chicago 35)”, 1890
Transfer lithograph
Published in The Studio 3, No 13, 16 April 1894
Edition of 3000
8 ½" x 4 ¼"
Blind stamped "The Studio London"
Monogrammed in stone with butterfly
Whistler, James Abbott McNeill
(1834 - 1903)
American
“Little Evelyn (W. 110; L. 159; Chicago 146)”, 1896
Transfer lithograph
Issued in The Art Journal 48, No. 135, March 1896
Edition of 3000
6 ¾" x 4 ¾"
Monogrammed in stone with butterfly
“Little Evelyn (W. 110; L. 159; Chicago 146)”, 1896
Transfer lithograph
Issued in The Art Journal 48, No. 135, March 1896
Edition of 3000
6 ¾" x 4 ¾"
Monogrammed in stone with butterfly
Whistler, James Abbott McNeill
(1834 - 1903)
American
“Reading (Way 13; Levy 25/26; Chicago 17)”, 1887
Lithograph
4th State/4
Published in “Notes” portfolio in an edition of 100
6 ⅛" x 5"
Monogramed in stone with butterfly
“Reading (Way 13; Levy 25/26; Chicago 17)”, 1887
Lithograph
4th State/4
Published in “Notes” portfolio in an edition of 100
6 ⅛" x 5"
Monogramed in stone with butterfly
Willette, Adolphe
(1857 - 1926)
French
“Birth Announcement”, 1907
Etching
Jeanne (Maria) Willette was the illegitimate daughter of the artist and his girlfriend Charlotte, whom he married after divorcing his wife, Eva.
4" x 5"
Signed in plate
“Birth Announcement”, 1907
Etching
Jeanne (Maria) Willette was the illegitimate daughter of the artist and his girlfriend Charlotte, whom he married after divorcing his wife, Eva.
4" x 5"
Signed in plate
Willette, Adolphe
(1857 - 1926)
French
“À Mlle Squelette”, c. 1900
Etching
8 ⅞" x 6 ⅝"
Signed in plate
“À Mlle Squelette”, c. 1900
Etching
8 ⅞" x 6 ⅝"
Signed in plate
Boldini, Giovanni
(1842 - 1931)
Italian
“Ritratto di Paul Helleu in Piedi (Prandi 47)”, c. 1905
Soft ground etching on china paper laid down on card
15" x 12 ¼"
Signed in plate
“Ritratto di Paul Helleu in Piedi (Prandi 47)”, c. 1905
Soft ground etching on china paper laid down on card
15" x 12 ¼"
Signed in plate
Bracquemond, Félix
(1833 - 1914)
French
“Baudelaire à la pipe - d'après Courbet”, 1865
Etching printed on chine
3 ¾" x 4"
“Baudelaire à la pipe - d'après Courbet”, 1865
Etching printed on chine
3 ¾" x 4"
Bracquemond, Félix
(1833 - 1914)
French
“Menu for "La Marmite”, 1892
Etching and drypoint
8" x 5 ⅛"
Initialed "B" in plate
“Menu for "La Marmite”, 1892
Etching and drypoint
8" x 5 ⅛"
Initialed "B" in plate
Chahine, Edgar
(1874 - 1947)
Armenian
“Ghemma au turban à aigrette (T.296)" with "Remarque pour Ghemma au turban à aigrette (T.297)”, 1910
Etchings with drypoint
2nd State/2
20 ¼" x 14" and 2 ⅜" x 1 ⅞"
T.296: Signed and dated in plate and signed in pencil in margin
T.297: Initialed in plate and initialed in pencil in margin
“Ghemma au turban à aigrette (T.296)" with "Remarque pour Ghemma au turban à aigrette (T.297)”, 1910
Etchings with drypoint
2nd State/2
20 ¼" x 14" and 2 ⅜" x 1 ⅞"
T.296: Signed and dated in plate and signed in pencil in margin
T.297: Initialed in plate and initialed in pencil in margin
Chahine, Edgar
(1874 - 1947)
Armenian
“L’Invite après la parade (T.97)”, 1902
Drypoint and aquatint
Unrecorded state with “Ed. Sagot” printed in red but without the address of Delâtre printed in the image
4 ¼" x 2 ¾"
“L’Invite après la parade (T.97)”, 1902
Drypoint and aquatint
Unrecorded state with “Ed. Sagot” printed in red but without the address of Delâtre printed in the image
4 ¼" x 2 ¾"
Chahine, Edgar
(1874 - 1947)
Armenian
“Notre Dame de Paris Invitation (T. 127)”, 1904
Etching with printed name and address
3rd State/3
7" x 1 ⅝"
Signed in plate
“Notre Dame de Paris Invitation (T. 127)”, 1904
Etching with printed name and address
3rd State/3
7" x 1 ⅝"
Signed in plate
Degas, Edgar
(1834 - 1917)
French
“Mary Cassatt at the Louvre: The Etruscan Gallery (Delteil 30; Reed & Shapero 51)”, 1879/80
Soft ground etching and aquatint printed on cream wove paper
Final state after cancellation
Edition approximately 150
10 ½" x 9 ¼"
“Mary Cassatt at the Louvre: The Etruscan Gallery (Delteil 30; Reed & Shapero 51)”, 1879/80
Soft ground etching and aquatint printed on cream wove paper
Final state after cancellation
Edition approximately 150
10 ½" x 9 ¼"
Goeneutte, Norbert
(1854 - 1894)
French
“Henri Guérard: Le Dos d'artiste (Béraldi 82)”, 1876
Etching and drypoint
Also titled: "Henri Guérard consultant un carton d'estampes dans son studio, Avenue Frochet"
1st State/2 before the roulette
6 ⅜" x 4 ⅜"
Signed in plate
“Henri Guérard: Le Dos d'artiste (Béraldi 82)”, 1876
Etching and drypoint
Also titled: "Henri Guérard consultant un carton d'estampes dans son studio, Avenue Frochet"
1st State/2 before the roulette
6 ⅜" x 4 ⅜"
Signed in plate
Goeneutte, Norbert
(1854 - 1894)
French
“Henri Guérard à sa presse. Portrait du graveur Henri Guérard dans son atelier.”, 1888
Etching, aquatint and roulette
4th State/4
6 ¼" x 7 ¾"
Red stamped along lower edge and margin
Signed, dated and notated "à mon ami Guérard" in plate
“Henri Guérard à sa presse. Portrait du graveur Henri Guérard dans son atelier.”, 1888
Etching, aquatint and roulette
4th State/4
6 ¼" x 7 ¾"
Red stamped along lower edge and margin
Signed, dated and notated "à mon ami Guérard" in plate
Herscher, Ernest Marie
(1870 - 1939)
French
“Passage des eaux - No. 11, rue Raynouard”, 1905
Etching and drypoint
From the suite “Souvenir de Paris Hier”
6 ¼" x 4 ½"
Signed in plate
“Passage des eaux - No. 11, rue Raynouard”, 1905
Etching and drypoint
From the suite “Souvenir de Paris Hier”
6 ¼" x 4 ½"
Signed in plate
Jeanniot, Pierre Georges
(1848 - 1934)
French
“(Élégante)”, c. 1900
Etching and aquatint
9 ½" x 4"
Stamped monogram in margin
Signed in pencil and annotated "tirez no 8" in margin
“(Élégante)”, c. 1900
Etching and aquatint
9 ½" x 4"
Stamped monogram in margin
Signed in pencil and annotated "tirez no 8" in margin
Leloir, Maurice
(1853 - 1940)
French
“Frontispiece for "Les Graveurs du XIX siècle par Henri Béraldi"”, 1889
Etching
8" x 5 ½"
Signed in plate
“Frontispiece for "Les Graveurs du XIX siècle par Henri Béraldi"”, 1889
Etching
8" x 5 ½"
Signed in plate
Lepère, Auguste Louis
(1849 - 1918)
French
“Dîner à Bellevue”, 1894
Etching printed on Japon paper
Edition of 35
3 ⅜" x 7 ⅞"
Artist’s red stamp in margin
“Dîner à Bellevue”, 1894
Etching printed on Japon paper
Edition of 35
3 ⅜" x 7 ⅞"
Artist’s red stamp in margin
Lepère, Auguste Louis
(1849 - 1918)
French
“Frontispiece for "Les Graveurs du XIX siècle par Henri Béraldi"”, 1880
Xylogravure (wood engraving)
8 ¼" x 4 ½"
Signed in plate
“Frontispiece for "Les Graveurs du XIX siècle par Henri Béraldi"”, 1880
Xylogravure (wood engraving)
8 ¼" x 4 ½"
Signed in plate
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“Le Croquet (W. 37)”, 1878
Etching and drypoint
Edition of 100
12" x 7 3/16"
Signed and dated in plate
“Le Croquet (W. 37)”, 1878
Etching and drypoint
Edition of 100
12" x 7 3/16"
Signed and dated in plate
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“Le Portique de la Galerie nationale à Londres (W. 40)”, 1878
Etching and drypoint
Edition about 100
14 ⅞" x 8 ¼"
Signed and dated in plate
“Le Portique de la Galerie nationale à Londres (W. 40)”, 1878
Etching and drypoint
Edition about 100
14 ⅞" x 8 ¼"
Signed and dated in plate
Whistler, James Abbott McNeill
(1834 - 1903)
American
“Savoy Pigeons (W.118, L.164, Chicago 154)”, 1896
Lithograph
Published by The Studio, London
Edition of 3000
7 ¾" x 5 ⅜"
Blindstamped “The Studio London”
Monogrammed in stone with butterfly
“Savoy Pigeons (W.118, L.164, Chicago 154)”, 1896
Lithograph
Published by The Studio, London
Edition of 3000
7 ¾" x 5 ⅜"
Blindstamped “The Studio London”
Monogrammed in stone with butterfly