Black & White Prints
Showing all 104 results
Armington, Caroline
(1875 - 1939)
Canadian
“Le Pont Neuf et le Pont des Arts à Paris”, c. 1910
Etching with remarque
From the series "Vues de Paris"
12 ½" x 15 ¾"
Etched initials in remarque. Printed signature in margin.
“Le Pont Neuf et le Pont des Arts à Paris”, c. 1910
Etching with remarque
From the series "Vues de Paris"
12 ½" x 15 ¾"
Etched initials in remarque. Printed signature in margin.
Belleroche, Albert
(1864 - 1944)
French, British
“Gildys”, 1906
Lithograph
17 ⅞" x 13 ⅛"
Dated “06” in stone
Signed in pencil in margin
“Gildys”, 1906
Lithograph
17 ⅞" x 13 ⅛"
Dated “06” in stone
Signed in pencil in margin
Belleroche, Albert
(1864 - 1944)
French, British
“Femme au chapeau”, n.d.
Lithograph
6" x 4 ¾"
Signed in pencil
“Femme au chapeau”, n.d.
Lithograph
6" x 4 ¾"
Signed in pencil
Besnard, Albert
(1849 - 1934)
French
“La Femme - Frontispiece (Delteil 47)”, 1886
Etching and drypoint
Edition of 100
Special impression printed on Japon paper instead of vergé
12 ½" x 9 ¾"
Signed and annotated “Tirée à 100” in pencil in margin
“La Femme - Frontispiece (Delteil 47)”, 1886
Etching and drypoint
Edition of 100
Special impression printed on Japon paper instead of vergé
12 ½" x 9 ¾"
Signed and annotated “Tirée à 100” in pencil in margin
Boutet, Henri
(1851 - 1919)
French
“Le Ruban noir”, c. 1894
Etching and drypoint
6 ⅞" x 4 ¾"
Initialed in plate
“Le Ruban noir”, c. 1894
Etching and drypoint
6 ⅞" x 4 ¾"
Initialed in plate
Boutet, Henri
(1851 - 1919)
French
“Le corset”, 1864
Etching and drypoint
7 ⅞" x 6 ⅛"
Initialed in plate
“Le corset”, 1864
Etching and drypoint
7 ⅞" x 6 ⅛"
Initialed in plate
Boutet, Henri
(1851 - 1919)
French
“Femme devant la cheminée”, c. 1895
Etching and drypoint
7 ¾" x 5"
Signed in plate
“Femme devant la cheminée”, c. 1895
Etching and drypoint
7 ¾" x 5"
Signed in plate
Bracquemond, Félix
(1833 - 1914)
French
“L'Inconnu (Béraldi 174)”, 1860
Etching and drypoint
3rd State/3 - avec la lettre
7 ¼" x 12 ½"
Printed title in margin
Initialed in plate
“L'Inconnu (Béraldi 174)”, 1860
Etching and drypoint
3rd State/3 - avec la lettre
7 ¼" x 12 ½"
Printed title in margin
Initialed in plate
Brouet, Auguste
(1872 - 1941)
French
“Le Vert Galant, Notre Dame et l'Île de la Cité”, c. 1920
Etching and drypoint
Edition of 100
6 ½" x 9"
Blind stamped "Cercle Librairie Estampe" in margin
Signed and numbered in pencil in margin
“Le Vert Galant, Notre Dame et l'Île de la Cité”, c. 1920
Etching and drypoint
Edition of 100
6 ½" x 9"
Blind stamped "Cercle Librairie Estampe" in margin
Signed and numbered in pencil in margin
Chahine, Edgar
(1874 - 1947)
Armenian
“Villiers sur Mer (T. 417)”, 1931
Etching and drypoint
Variant state used as announcement for Galerie Marcel Guiot
3 ⅜" x 5 ⅝"
Signed in plate
“Villiers sur Mer (T. 417)”, 1931
Etching and drypoint
Variant state used as announcement for Galerie Marcel Guiot
3 ⅜" x 5 ⅝"
Signed in plate
Chahine, Edgar
(1874 - 1947)
Armenian
“Menu pour le dîner des Cent Bibliophiles (T. 114)”, 1905
Drypoint and aquatint
1st State/2 avant la lettre
7 ⅞" x 5 ⅞"
Signed in pencil in margin
“Menu pour le dîner des Cent Bibliophiles (T. 114)”, 1905
Drypoint and aquatint
1st State/2 avant la lettre
7 ⅞" x 5 ⅞"
Signed in pencil in margin
Chahine, Edgar
(1874 - 1947)
Armenian
“Marée Basse (T.415)”, 1930
Drypoint
Edition of 100
8 ⅝" x 12 ⅝"
Signed in pencil in margin
“Marée Basse (T.415)”, 1930
Drypoint
Edition of 100
8 ⅝" x 12 ⅝"
Signed in pencil in margin
Chahine, Edgar
(1874 - 1947)
Armenian
“Les Cent Bibliophiles: Menu du 28 décembre 1899 (T.36)”, 1899
Etching and drypoint
2nd State/2
avant la lettre
8" x 4 ¾"
Signed in plate
“Les Cent Bibliophiles: Menu du 28 décembre 1899 (T.36)”, 1899
Etching and drypoint
2nd State/2
avant la lettre
8" x 4 ¾"
Signed in plate
Chahine, Edgar
(1874 - 1947)
Armenian
“Intellectuels Armeniens au café (T. 428)”, 1939
Etching printed in black on colored paper
Chine collé
Edition of 108
7 ⅞" x 10 ¼"
Signed and numbered in pencil in margin
“Intellectuels Armeniens au café (T. 428)”, 1939
Etching printed in black on colored paper
Chine collé
Edition of 108
7 ⅞" x 10 ¼"
Signed and numbered in pencil in margin
Delâtre, Eugène
(1864 - 1938)
French
“Maison Basque”, c. 1900
Etc
Edition of 50
6 ¼" x 4 ⅞"
Signed in pencil in margin
“Maison Basque”, c. 1900
Etc
Edition of 50
6 ¼" x 4 ⅞"
Signed in pencil in margin
Desmazières, Erik
(1948 - )
French
“Paris, Vent d'Ouest (Fitch 146)”, 1995
Etching, aquatint and roulette
Carte de vœux for Galerie Paul Prouté
8 ½" x 12 ⅛"
“Paris, Vent d'Ouest (Fitch 146)”, 1995
Etching, aquatint and roulette
Carte de vœux for Galerie Paul Prouté
8 ½" x 12 ⅛"
Donker, Charles
(1940 - )
Dutch
“Dennenappel VIII (C.D. 12-4) [Pine Cone VIII]”, 2012
Etching
Edition of 30
Published in catalogue "Histoires Naturelles"
4" x 5 ⅞"
Initialed in plate
Signed and numbered in pencil in margin
“Dennenappel VIII (C.D. 12-4) [Pine Cone VIII]”, 2012
Etching
Edition of 30
Published in catalogue "Histoires Naturelles"
4" x 5 ⅞"
Initialed in plate
Signed and numbered in pencil in margin
Donker, Charles
(1940 - )
Dutch
“Geknotte zwarte moerbei in de Ardèche (C.D. 71-13) [Pollard and Mulberry Trees in the Ardèche]”, c. 1970
Etching and aquatint
Edition of 30
This is the Artist's Proof
4 ⅞" x 7 ⅞"
Signed and annotated "P" in pencil in margin
“Geknotte zwarte moerbei in de Ardèche (C.D. 71-13) [Pollard and Mulberry Trees in the Ardèche]”, c. 1970
Etching and aquatint
Edition of 30
This is the Artist's Proof
4 ⅞" x 7 ⅞"
Signed and annotated "P" in pencil in margin
Donker, Charles
(1940 - )
Dutch
“Sint-Jacobsschelp [Scallop Shell]”, c. 1971
Etching
3 ⅞" x 2 ⅝"
Signed in pencil in margin
“Sint-Jacobsschelp [Scallop Shell]”, c. 1971
Etching
3 ⅞" x 2 ⅝"
Signed in pencil in margin
Dubreuil, Pierre
(1891 - 1970)
French
“Nature morte au miroir et aux châtaignes”, 1943
Etching
Edition of 90
9 ¼" x 11 ⅝"
Monogrammed in plate
Signed in pencil in margin
“Nature morte au miroir et aux châtaignes”, 1943
Etching
Edition of 90
9 ¼" x 11 ⅝"
Monogrammed in plate
Signed in pencil in margin
Forain, Jean-Louis
(1852 - 1931)
French
“Similitudes”, 1880
Etching and drypoint
Published as frontispiece in J.K. Huysman's "Croquis Parisiens"
Edition of 545
5 ⅞" x 3 ¾"
Signed in plate
“Similitudes”, 1880
Etching and drypoint
Published as frontispiece in J.K. Huysman's "Croquis Parisiens"
Edition of 545
5 ⅞" x 3 ¾"
Signed in plate
Goeneutte, Norbert
(1854 - 1894)
French
“Femme assise au café”, c. 1888
Etching and drypoint
4 ¾" x 3 ⅛"
Signed in plate
“Femme assise au café”, c. 1888
Etching and drypoint
4 ¾" x 3 ⅛"
Signed in plate
Goeneutte, Norbert
(1854 - 1894)
French
“La Promenade”, 1878
Etching and drypoint
3" x 4 ½"
Signed in plate
“La Promenade”, 1878
Etching and drypoint
3" x 4 ½"
Signed in plate
Goeneutte, Norbert
(1854 - 1894)
French
“Le Débarcadère à Venise”, 1890
Etching and drypoint
2nd State/2
4 ¼" x 8 ½"
Monogrammed in red in lower edge
“Le Débarcadère à Venise”, 1890
Etching and drypoint
2nd State/2
4 ¼" x 8 ½"
Monogrammed in red in lower edge
Goeneutte, Norbert
(1854 - 1894)
French
“L'Armoire”, 1891-94
Etching and drypoint
The subject is Suzanne Froliger, Dr. Gachet's governess
10 ¾" x 4 ¼"
Red stamp in margin (L. 1182)
“L'Armoire”, 1891-94
Etching and drypoint
The subject is Suzanne Froliger, Dr. Gachet's governess
10 ¾" x 4 ¼"
Red stamp in margin (L. 1182)
Guérard, Henri
(1846 - 1897)
French
“Marionette aux lanternes Japonaises (Bertin 402)”, 1888
Etching and aquatint
Frontispiece for “Les Graveurs du XIX siècle par Henri Béraldi”
8" x 5 ¼"
Monogrammed in lantern
Signed in plate
“Marionette aux lanternes Japonaises (Bertin 402)”, 1888
Etching and aquatint
Frontispiece for “Les Graveurs du XIX siècle par Henri Béraldi”
8" x 5 ¼"
Monogrammed in lantern
Signed in plate
Helleu, Paul César
(1859 - 1927)
French
“Ellen en face”, c. 1900
Drypoint
Ellen Helleu (1887-1942) was the artist's daughter
15 ½" x 11"
Signed in pencil in margin
“Ellen en face”, c. 1900
Drypoint
Ellen Helleu (1887-1942) was the artist's daughter
15 ½" x 11"
Signed in pencil in margin
Hugo, Valentine
(1887 - 1968)
French
“Portrait d’Arthur Rimbaud à 17 ans d’après Étienne Carjat”, 1954
Etching
1st State/?
Edition of 5
9 ¾" x 7 ¾"
Signed and annotated “4/5, 1er état (illegible)” in pencil in margin.
“Portrait d’Arthur Rimbaud à 17 ans d’après Étienne Carjat”, 1954
Etching
1st State/?
Edition of 5
9 ¾" x 7 ¾"
Signed and annotated “4/5, 1er état (illegible)” in pencil in margin.
Jeanniot, Pierre Georges
(1848 - 1934)
French
“Femme assise”, c. 1920
Etching and drypoint
Edition of 102
11 ¾" x 8 ¼"
Embossed monogram in margin
Signed and numbered in pencil in margin
“Femme assise”, c. 1920
Etching and drypoint
Edition of 102
11 ¾" x 8 ¼"
Embossed monogram in margin
Signed and numbered in pencil in margin
Kayser, Edmond Charles
(1882 - 1965)
French
“St. Gervais - Les Quais”, c. 1910
Etching
Edition of 20
6 ¼" x 8 ½"
Signed and numbered in pencil in margin
“St. Gervais - Les Quais”, c. 1910
Etching
Edition of 20
6 ¼" x 8 ½"
Signed and numbered in pencil in margin
Laboureur, Jean-Émile
(1877 - 1943)
French
“Chez la floriste (S.L. 192)”, 1920
Etching
2nd State/2 avec la lettre
7 ¾" x 6"
Printed title in plate, lower margin
Initialed and dated in plate
“Chez la floriste (S.L. 192)”, 1920
Etching
2nd State/2 avec la lettre
7 ¾" x 6"
Printed title in plate, lower margin
Initialed and dated in plate
Laboureur, Jean-Émile
(1877 - 1943)
French
“Ex Libris au joueur de golf (S.L. 394)”, 1929
Etching
2nd State/2
3 ⅛" x 2 ⅜"
Signed in pencil in margin
“Ex Libris au joueur de golf (S.L. 394)”, 1929
Etching
2nd State/2
3 ⅛" x 2 ⅜"
Signed in pencil in margin
Laboureur, Jean-Émile
(1877 - 1943)
French
“Sports d'hiver - Carte de vœux pour 1937 (S.L. 522)”, 1936
Burin
2nd State/2
Edition unknown
4 ¼" x 3"
Initialed "L" in plate
Signed in pencil in image
“Sports d'hiver - Carte de vœux pour 1937 (S.L. 522)”, 1936
Burin
2nd State/2
Edition unknown
4 ¼" x 3"
Initialed "L" in plate
Signed in pencil in image
Laboureur, Jean-Émile
(1877 - 1943)
French
“Portrait: Marie Laurencin (S.L. 707)”, 1918
Woodcut printed in black
2nd State/2
Edition of 45
9 ¾" x 8 ½"
Initialed in block
Signed and annotated "ep.d'artiste" in pencil in margin
P.O.R.
“Portrait: Marie Laurencin (S.L. 707)”, 1918
Woodcut printed in black
2nd State/2
Edition of 45
9 ¾" x 8 ½"
Initialed in block
Signed and annotated "ep.d'artiste" in pencil in margin
P.O.R.
Latenay, Gaston de
(1859 - 1943)
French
“Le Vaisseau fantôme”, n.d.
Etching
Edition of 50
7 ¼" x 7"
Signed and numbered in pencil in margin
“Le Vaisseau fantôme”, n.d.
Etching
Edition of 50
7 ¼" x 7"
Signed and numbered in pencil in margin
Legrand, Louis
(1863 - 1951)
French
“Soireuses (E.316)”, 1905
Etching with drypoint and aquatint
Edition of 70
15 ⅞" x 10 ⅞"
Signed in plate
Signed and numbered in pencil and red stamped in margin
“Soireuses (E.316)”, 1905
Etching with drypoint and aquatint
Edition of 70
15 ⅞" x 10 ⅞"
Signed in plate
Signed and numbered in pencil and red stamped in margin
Lepape, Georges
(1887 - 1971)
French
“Illustration for "La Revue des G"”, 1911
Lithograph
Edition of 15
“La Revue des G” was a theatrical evening organized by Georges Lepape with a cast drawn from family and friends whose first names began with the letter “G”
5 ⅛" x 5 ⅛"
Signed in stone
“Illustration for "La Revue des G"”, 1911
Lithograph
Edition of 15
“La Revue des G” was a theatrical evening organized by Georges Lepape with a cast drawn from family and friends whose first names began with the letter “G”
5 ⅛" x 5 ⅛"
Signed in stone
Ranft, Richard
(1862 - 1931)
French
“Carte de visite "Ed. Sagot"”, 1898
Etching
4 ⅞" x 3 ½"
Signed in plate
“Carte de visite "Ed. Sagot"”, 1898
Etching
4 ⅞" x 3 ½"
Signed in plate
Renoir, Pierre-Auguste
(1841 - 1919)
French
“Portrait d'Ambroise Vollard (Delteil) 37)”, 1919
Lithograph
Published in "L'Album des Douze lithographies originales de Pierre-Auguste Renoir"
Edition of 1000
9 1/16" x 6 ⅞"
Signed in stone
“Portrait d'Ambroise Vollard (Delteil) 37)”, 1919
Lithograph
Published in "L'Album des Douze lithographies originales de Pierre-Auguste Renoir"
Edition of 1000
9 1/16" x 6 ⅞"
Signed in stone
Robida, Albert
(1848 - 1926)
French
“Ex Libris "Belli Universalis"”, 1914
Etching
Frédéric Raisin (1851-1923) was a Swiss lawyer, judge, politician and patron of the arts
8 ⅜" x 5 ½"
Etched signature in margin
“Ex Libris "Belli Universalis"”, 1914
Etching
Frédéric Raisin (1851-1923) was a Swiss lawyer, judge, politician and patron of the arts
8 ⅜" x 5 ½"
Etched signature in margin
Rops, Felicien J.V.
(1833 - 1898)
Belgian
“Frontispiece for "Les Légendes Flamandes"”, 1858
Drypoint printed on chine paper
6" x 3 ⅝"
Some paper loss in upper right corner (not affecting image). Remnants of tape along right edge, verso.
Signed in plate
“Frontispiece for "Les Légendes Flamandes"”, 1858
Drypoint printed on chine paper
6" x 3 ⅝"
Some paper loss in upper right corner (not affecting image). Remnants of tape along right edge, verso.
Signed in plate
Somm, Henri
(1844 - 1907)
French
“Dromière humatome [Raft of Humanity]”, 1897
Drypoint printed in black on Japan paper
2 ⅞" x 4 ½"
Signed in plate
“Dromière humatome [Raft of Humanity]”, 1897
Drypoint printed in black on Japan paper
2 ⅞" x 4 ½"
Signed in plate
Steinlen, Théophile Alexandre
(1859 - 1923)
Swiss
“Plate from “Les Chansons de femmes - Toujours vous (Crauzet 185)”, 1897
Lithograph
Plate from “Les Chansons de femmes”
Edition of 50
7 ½" x 5 13/16"
Signed in stone
Signed in pencil in margin
“Plate from “Les Chansons de femmes - Toujours vous (Crauzet 185)”, 1897
Lithograph
Plate from “Les Chansons de femmes”
Edition of 50
7 ½" x 5 13/16"
Signed in stone
Signed in pencil in margin
Steinlen, Théophile Alexandre
(1859 - 1923)
Swiss
“Autour de nos moulins”, 1922
Etching and drypoint
State "avec la lettre"
Used as announcement for "Imprimerie Artistique Eug. Delâtre"
5 ⅝" x 4 ⅜"
Signed in plate
“Autour de nos moulins”, 1922
Etching and drypoint
State "avec la lettre"
Used as announcement for "Imprimerie Artistique Eug. Delâtre"
5 ⅝" x 4 ⅜"
Signed in plate
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“Au bord de la mer (W. 47)”, 1880
Etching and drypoint printed on Japan paper
Edition about 100
14 15/16" x 5 7/16"
Signed and dated in plate
Signed in pencil and red stamped in margin
“Au bord de la mer (W. 47)”, 1880
Etching and drypoint printed on Japan paper
Edition about 100
14 15/16" x 5 7/16"
Signed and dated in plate
Signed in pencil and red stamped in margin
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“Le Dimanche matin (W. 72)”, 1883
Etching and drypoint printed on laid paper
Edition about 100
15 ¾" x 7 ½"
Framed
Signed and dated in plate
Red stamped in image
P.O.R.
“Le Dimanche matin (W. 72)”, 1883
Etching and drypoint printed on laid paper
Edition about 100
15 ¾" x 7 ½"
Framed
Signed and dated in plate
Red stamped in image
P.O.R.
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“Le Hamac (W. 46)”, 1880
Etching and drypoint
Edition about 100
10 15/16" x 7 ¼"
Signed and dated in plate
“Le Hamac (W. 46)”, 1880
Etching and drypoint
Edition about 100
10 15/16" x 7 ¼"
Signed and dated in plate
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“Le Journal (W. 73)”, 1883
Etching and drypoint
Edition about 100
14 ⅞" x 11 ½"
Signed and dated in plate
Red stamped in image
“Le Journal (W. 73)”, 1883
Etching and drypoint
Edition about 100
14 ⅞" x 11 ½"
Signed and dated in plate
Red stamped in image
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“La Mysterieuse (W.80)”, 1885
Etching and drypoint
Edition about 100
15 ⅝" x 9 ⅞"
Minor cracking along plate mark has been professionally restored
Framed
Signed in plate in margin
“La Mysterieuse (W.80)”, 1885
Etching and drypoint
Edition about 100
15 ⅝" x 9 ⅞"
Minor cracking along plate mark has been professionally restored
Framed
Signed in plate in margin
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“Rêverie (W. 52)”, 1881
Etching and drypoint
Edition about 100
9" x 4 ½"
Signed and dated in plate
“Rêverie (W. 52)”, 1881
Etching and drypoint
Edition about 100
9" x 4 ½"
Signed and dated in plate
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“La Sœur aînée (W. 53)”, 1881
Etching and drypoint
Edition about 100
11 ⅜" x 6"
Signed and dated in plate
“La Sœur aînée (W. 53)”, 1881
Etching and drypoint
Edition about 100
11 ⅜" x 6"
Signed and dated in plate
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“Mon jardin à S.-John's Wood (W. 39)”, 1878
Etching and drypoint printed on fine tissue
Edition about 100
7 ⅜" x 4 ½"
Signed and dated in plate
“Mon jardin à S.-John's Wood (W. 39)”, 1878
Etching and drypoint printed on fine tissue
Edition about 100
7 ⅜" x 4 ½"
Signed and dated in plate
Trignac, Gérard
(1955 - )
French
“La Fin du voyage”, 2001
Etching with drypoint and burin
Edition of 100
3 ¼" x 11 ½"
Signed, dated, titled and numbered in pencil in margin
“La Fin du voyage”, 2001
Etching with drypoint and burin
Edition of 100
3 ¼" x 11 ½"
Signed, dated, titled and numbered in pencil in margin
Trignac, Gérard
(1955 - )
French
“La Gare”, 2009
Etching with burin
Edition of 100
2 ½" x 10 ¼"
Signed, dated, titled and numbered in pencil in margin
“La Gare”, 2009
Etching with burin
Edition of 100
2 ½" x 10 ¼"
Signed, dated, titled and numbered in pencil in margin
Trignac, Gérard
(1955 - )
French
“Le Port (Coustet 91)”, 1996
Etching and drypoint
Épreuve d’artiste
Edition of 25
9 ⅜" x 8 ⅝"
Signed, dated, titled and numbered in pencil in margin
“Le Port (Coustet 91)”, 1996
Etching and drypoint
Épreuve d’artiste
Edition of 25
9 ⅜" x 8 ⅝"
Signed, dated, titled and numbered in pencil in margin
Villon, Jacques
(1875 - 1963)
French
“Les Cent Bibliophiles (G&P 250)”, 1910
Etching and drypoint
Edition of 100
9 ½" x 7"
Signed in plate
“Les Cent Bibliophiles (G&P 250)”, 1910
Etching and drypoint
Edition of 100
9 ½" x 7"
Signed in plate
Webb, A.C.
(1888 - 1975)
American
“Sunlit Terraces of Amalfi”, 1930
Etching and drypoint
Edition of 90
15" x 11 ½"
Signed, titled and dated in work
Signed, titled and numbered in pencil in margin
“Sunlit Terraces of Amalfi”, 1930
Etching and drypoint
Edition of 90
15" x 11 ½"
Signed, titled and dated in work
Signed, titled and numbered in pencil in margin
Webster, Herman A.
(1878 - 1970)
French, American
“Rue Brise-Miche”, 1906
Etching
8 ⅝" x 5 ⅞"
Monogrammed and dated in plate
“Rue Brise-Miche”, 1906
Etching
8 ⅝" x 5 ⅞"
Monogrammed and dated in plate
Whistler, James Abbott McNeill
(1834 - 1903)
American
“Little Evelyn (W. 110; L. 159; Chicago 146)”, 1896
Transfer lithograph
Issued in The Art Journal 48, No. 135, March 1896
Edition of 3000
6 ¾" x 4 ¾"
Monogrammed in stone with butterfly
“Little Evelyn (W. 110; L. 159; Chicago 146)”, 1896
Transfer lithograph
Issued in The Art Journal 48, No. 135, March 1896
Edition of 3000
6 ¾" x 4 ¾"
Monogrammed in stone with butterfly
Whistler, James Abbott McNeill
(1834 - 1903)
American
“Reading (Way 13; Levy 25/26; Chicago 17)”, 1887
Lithograph
4th State/4
Published in “Notes” portfolio in an edition of 100
6 ⅛" x 5"
Monogramed in stone with butterfly
“Reading (Way 13; Levy 25/26; Chicago 17)”, 1887
Lithograph
4th State/4
Published in “Notes” portfolio in an edition of 100
6 ⅛" x 5"
Monogramed in stone with butterfly
Whistler, James Abbott McNeill
(1834 - 1903)
American
“The Long Gallery, Louvre (L.83; W.52; Chicago 86)”, 1894
Transfer lithograph
Edition of 3000 published in "The Studio 3", Nº 18, 15 September, 1894
9 ½" x 6"
Blind stamped "The Studio"
Monogrammed with butterfly in stone
“The Long Gallery, Louvre (L.83; W.52; Chicago 86)”, 1894
Transfer lithograph
Edition of 3000 published in "The Studio 3", Nº 18, 15 September, 1894
9 ½" x 6"
Blind stamped "The Studio"
Monogrammed with butterfly in stone
Willette, Adolphe
(1857 - 1926)
French
“À Mlle Squelette”, c. 1900
Etching
8 ⅞" x 6 ⅝"
Signed in plate
“À Mlle Squelette”, c. 1900
Etching
8 ⅞" x 6 ⅝"
Signed in plate
Willette, Adolphe
(1857 - 1926)
French
“Birth Announcement”, 1907
Etching
Jeanne (Maria) Willette was the illegitimate daughter of the artist and his girlfriend Charlotte, whom he married after divorcing his wife, Eva.
4" x 5"
Signed in plate
“Birth Announcement”, 1907
Etching
Jeanne (Maria) Willette was the illegitimate daughter of the artist and his girlfriend Charlotte, whom he married after divorcing his wife, Eva.
4" x 5"
Signed in plate
Béjot, Eugène
(1867 - 1931)
French
“Square du Champ de Mars”, 1893
Etching and aquatint printed in sepia
11" x 7 ¾"
Signed "Eug. Béjot" and annotated "Paris 93" in plate
Signed and dated in pencil in margin
“Square du Champ de Mars”, 1893
Etching and aquatint printed in sepia
11" x 7 ¾"
Signed "Eug. Béjot" and annotated "Paris 93" in plate
Signed and dated in pencil in margin
Boutet, Henri
(1851 - 1919)
French
“Femme sorti d’une coquille d’œuf”, c. 1895
Etching and drypoint
6" x 4 ½"
Signed in plate
“Femme sorti d’une coquille d’œuf”, c. 1895
Etching and drypoint
6" x 4 ½"
Signed in plate
Bracquemond, Félix
(1833 - 1914)
French
“Libre et Fidèle”, 1878
Etching
8 ½" x 5 ½"
Initialed "B" and dedicated "A mon ami Alf. Porcabeuf" in plate
“Libre et Fidèle”, 1878
Etching
8 ½" x 5 ½"
Initialed "B" and dedicated "A mon ami Alf. Porcabeuf" in plate
Bracquemond, Félix
(1833 - 1914)
French
“Cover for "La Mer"”, 1895
Etching and aquatint printed in sepia
15 ¼" x 10 ⅝"
Signed in plate
“Cover for "La Mer"”, 1895
Etching and aquatint printed in sepia
15 ¼" x 10 ⅝"
Signed in plate
Degas, Edgar
(1834 - 1917)
French
“Mary Cassatt at the Louvre: The Etruscan Gallery (Delteil 30; Reed & Shapero 51)”, 1879/80
Soft ground etching and aquatint printed on cream wove paper
Final state after cancellation
Edition approximately 150
10 ½" x 9 ¼"
“Mary Cassatt at the Louvre: The Etruscan Gallery (Delteil 30; Reed & Shapero 51)”, 1879/80
Soft ground etching and aquatint printed on cream wove paper
Final state after cancellation
Edition approximately 150
10 ½" x 9 ¼"
Delâtre, Eugène
(1864 - 1938)
French
“Frontispiece for Henri Béraldi's "Les Graveurs du XIXe siècle"”, 1886
Etching
8" x 5 ⅝"
Signed in plate
“Frontispiece for Henri Béraldi's "Les Graveurs du XIXe siècle"”, 1886
Etching
8" x 5 ⅝"
Signed in plate
Desmazières, Erik
(1948 - )
French
“Derrière le rideau”, 2009
Etching with aquatint and roulette
Plate from the “Suite Musaeum Clausum”
One of 6 examples on blue laid antique paper numbered 25-30/30
11 ½" x 7 ¼"
Signed, titled and numbered in ink in margin
“Derrière le rideau”, 2009
Etching with aquatint and roulette
Plate from the “Suite Musaeum Clausum”
One of 6 examples on blue laid antique paper numbered 25-30/30
11 ½" x 7 ¼"
Signed, titled and numbered in ink in margin
Desmazières, Erik
(1948 - )
French
“Scarabattolo”, 2009-11
Etching with aquatint and roulettte
Plate from the “Suite Musaeum Clausum”
One of 6 examples on blue laid antique paper numbered 25-30/30
10 ⅜" x 14 ½"
Signed, titled, numbered and dated in ink in margin
“Scarabattolo”, 2009-11
Etching with aquatint and roulettte
Plate from the “Suite Musaeum Clausum”
One of 6 examples on blue laid antique paper numbered 25-30/30
10 ⅜" x 14 ½"
Signed, titled, numbered and dated in ink in margin
Desmazières, Erik
(1948 - )
French
“Miscellanea Bibliographica”, 2012
Etching, drypoint and roulette
From the edition of 90 included with the book "Voyage au centre de la bibliothèque"
12 ⅛" x 8 ⅞"
Print matted separately from book
Signed, dated and numbered in pencil in margin
“Miscellanea Bibliographica”, 2012
Etching, drypoint and roulette
From the edition of 90 included with the book "Voyage au centre de la bibliothèque"
12 ⅛" x 8 ⅞"
Print matted separately from book
Signed, dated and numbered in pencil in margin
Forain, Jean-Louis
(1852 - 1931)
French
“Le Café de la Nouvelle Athènes”, c. 1877
Etching
6 ⅜" x 4 ¾"
Signed in plate
“Le Café de la Nouvelle Athènes”, c. 1877
Etching
6 ⅜" x 4 ¾"
Signed in plate
Goeneutte, Norbert
(1854 - 1894)
French
“Henri Guérard: Le Dos d'artiste (Béraldi 82)”, 1876
Etching and drypoint
Also titled: "Henri Guérard consultant un carton d'estampes dans son studio, Avenue Frochet"
1st State/2 before the roulette
6 ⅜" x 4 ⅜"
Signed in plate
“Henri Guérard: Le Dos d'artiste (Béraldi 82)”, 1876
Etching and drypoint
Also titled: "Henri Guérard consultant un carton d'estampes dans son studio, Avenue Frochet"
1st State/2 before the roulette
6 ⅜" x 4 ⅜"
Signed in plate
Goeneutte, Norbert
(1854 - 1894)
French
“Henri Guérard à sa presse. Portrait du graveur Henri Guérard dans son atelier.”, 1888
Etching, aquatint and roulette
4th State/4
6 ¼" x 7 ¾"
Red stamped along lower edge and margin
Signed, dated and notated "à mon ami Guérard" in plate
“Henri Guérard à sa presse. Portrait du graveur Henri Guérard dans son atelier.”, 1888
Etching, aquatint and roulette
4th State/4
6 ¼" x 7 ¾"
Red stamped along lower edge and margin
Signed, dated and notated "à mon ami Guérard" in plate
Helleu, Paul César
(1859 - 1927)
French
“Meditation”, 1894
Etching and drypoint
Edition of 100
11" x 7 ¾"
Blind stamped “L’Estampe Originale” in margin
Signed and numbered in pencil in margin
“Meditation”, 1894
Etching and drypoint
Edition of 100
11" x 7 ¾"
Blind stamped “L’Estampe Originale” in margin
Signed and numbered in pencil in margin
Helleu, Paul César
(1859 - 1927)
French
“Madame Helleu devant les Watteau du Louvre" or "Les Trois crayons de Watteau (M. LVI)”, c. 1895
Drypoint printed in black and sanguine
11 ¾" x 15 ¾"
Margins slightly trimmed
Signed in pencil in margin
“Madame Helleu devant les Watteau du Louvre" or "Les Trois crayons de Watteau (M. LVI)”, c. 1895
Drypoint printed in black and sanguine
11 ¾" x 15 ¾"
Margins slightly trimmed
Signed in pencil in margin
Herscher, Ernest Marie
(1870 - 1939)
French
“Passage des eaux - No. 11, rue Raynouard”, 1905
Etching and drypoint
From the suite “Souvenir de Paris Hier”
6 ¼" x 4 ½"
Signed in plate
“Passage des eaux - No. 11, rue Raynouard”, 1905
Etching and drypoint
From the suite “Souvenir de Paris Hier”
6 ¼" x 4 ½"
Signed in plate
Ilsted, Peter Vilhelm
(1861 - 1933)
Danish
“Canthareller [Chanterelles](O/S 19)”, 1893
Etching
8" x 6"
Signed and dated in plate
“Canthareller [Chanterelles](O/S 19)”, 1893
Etching
8" x 6"
Signed and dated in plate
Ilsted, Peter Vilhelm
(1861 - 1933)
Danish
“Unter vinløvet [Under the Vine Leaf] (O/S 18)”, 1893
Etching
After a drawing Ilsted made of his wife while on their honeymoon in Italy in 1891
6" x 4 ½"
“Unter vinløvet [Under the Vine Leaf] (O/S 18)”, 1893
Etching
After a drawing Ilsted made of his wife while on their honeymoon in Italy in 1891
6" x 4 ½"
Jacquemart, Jules-Ferdinand
(1837 - 1880)
French
“Souvenirs de voyage (Béraldi 329)”, 1862
Etching
Published for the revue of the “Société des Aqua-Fortistes – Eaux-Fortes Modernes”, Vol. I, Pl. 8
9 ⅜" x 13 ¼"
Margins trimmed
Blindstamped “Cadart” in margin
Printed title in margin
Signed and dated in plate
“Souvenirs de voyage (Béraldi 329)”, 1862
Etching
Published for the revue of the “Société des Aqua-Fortistes – Eaux-Fortes Modernes”, Vol. I, Pl. 8
9 ⅜" x 13 ¼"
Margins trimmed
Blindstamped “Cadart” in margin
Printed title in margin
Signed and dated in plate
Laboureur, Jean-Émile
(1877 - 1943)
French
“L’Araignée au fleurs (S.L. 473)”
“Pour le nouvel an avec les vœux de…”, 1932
Burin
2nd State/2 with printed greeting
Edition of 100
5" x 3 ⅝"
Initialed “L” in plate
Signed in pencil in image
“L’Araignée au fleurs (S.L. 473)”
“Pour le nouvel an avec les vœux de…”, 1932
Burin
2nd State/2 with printed greeting
Edition of 100
5" x 3 ⅝"
Initialed “L” in plate
Signed in pencil in image
Laboureur, Jean-Émile
(1877 - 1943)
French
“Cocagne (S.L. 483)"
"Pour le Nouvel An Avec les Vœux de...”, 1933
Etching
3rd State/3 avec la lettre
Edition of 67
4 ⅛" x 3 ⅛"
Initialed "L" in plate
Signed in pencil in image
“Cocagne (S.L. 483)"
"Pour le Nouvel An Avec les Vœux de...”, 1933
Etching
3rd State/3 avec la lettre
Edition of 67
4 ⅛" x 3 ⅛"
Initialed "L" in plate
Signed in pencil in image
Laboureur, Jean-Émile
(1877 - 1943)
French
“La Pêcheuse au crabe (S.L. 383)”, 1928
Burin
1st State/2, avant la lettre
Edition of 25
4 ⅜" x 4 ⅛"
Signed in pencil in margin
“La Pêcheuse au crabe (S.L. 383)”, 1928
Burin
1st State/2, avant la lettre
Edition of 25
4 ⅜" x 4 ⅛"
Signed in pencil in margin
Laboureur, Jean-Émile
(1877 - 1943)
French
“Le Garçon de restaurant Américain (S.L. 641)”, 1904-09
Woodcut printed in black
Edition of 10
5 15/16" x 2 ⅝"
Monogrammed in block
Signed in pencil in margin
“Le Garçon de restaurant Américain (S.L. 641)”, 1904-09
Woodcut printed in black
Edition of 10
5 15/16" x 2 ⅝"
Monogrammed in block
Signed in pencil in margin
Laboureur, Jean-Émile
(1877 - 1943)
French
“La Fille au litre - grande planche (S.L. 217”, 1921
Engraving
3rd State/3
Edition of 65
Reproduced on the cover of the Laboureur Catalogue Raisonnée, Vol. 1
8 ½" x 7 ⅛"
Initialed and dated in plate
Signed and numbered in pencil in margin
“La Fille au litre - grande planche (S.L. 217”, 1921
Engraving
3rd State/3
Edition of 65
Reproduced on the cover of the Laboureur Catalogue Raisonnée, Vol. 1
8 ½" x 7 ⅛"
Initialed and dated in plate
Signed and numbered in pencil in margin
Leloir, Maurice
“Frontispiece for "Les Graveurs du XIX siècle par Henri Béraldi"”, 1889
Etching
8" x 5 ½"
Signed in plate
Etching
8" x 5 ½"
Signed in plate
Léon, Edouard
(1863 - 1951)
French
“Pomponnette Yvonne de Ryck – Menu Dîner du 9 mars”, 1915?
Etching and drypoint
8" x 5 ⅞"
Signed in plate
Annotated “Madame Leon” in violet ink in margin
“Pomponnette Yvonne de Ryck – Menu Dîner du 9 mars”, 1915?
Etching and drypoint
8" x 5 ⅞"
Signed in plate
Annotated “Madame Leon” in violet ink in margin
Lepère, Auguste Louis
(1849 - 1918)
French
“Dîner à Bellevue”, 1894
Etching printed on Japon paper
Edition of 35
3 ⅜" x 7 ⅞"
Artist’s red stamp in margin
“Dîner à Bellevue”, 1894
Etching printed on Japon paper
Edition of 35
3 ⅜" x 7 ⅞"
Artist’s red stamp in margin
Lepère, Auguste Louis
(1849 - 1918)
French
“Le Ballon qui tombe”, c. 1900
Etching on chine paper
Edition of 35
5" x 6 ⅞"
Signed and numbered in pencil in margin
“Le Ballon qui tombe”, c. 1900
Etching on chine paper
Edition of 35
5" x 6 ⅞"
Signed and numbered in pencil in margin
Lepère, Auguste Louis
(1849 - 1918)
French
“Démolition de la Maison de Sabra”, 1907
Etching printed on blue laid paper
Edition of 35
10 ¼" x 6"
Signed and numbered in pencil in margin
“Démolition de la Maison de Sabra”, 1907
Etching printed on blue laid paper
Edition of 35
10 ¼" x 6"
Signed and numbered in pencil in margin
Nückel, Otto
(1888 - 1955)
German
“Regenwetter [Rainy Weather]”, 1924
Lead engraving printed on Japanese laid paper
Printed apart from the edition in "Ganymed", Vol. 5, 1925
7 ¼" x 5 ½"
Signed in pencil in margin
“Regenwetter [Rainy Weather]”, 1924
Lead engraving printed on Japanese laid paper
Printed apart from the edition in "Ganymed", Vol. 5, 1925
7 ¼" x 5 ½"
Signed in pencil in margin
Osterlind, Allan
(1855 - 1938)
Swedish
“Portrait de son ami Maxime Maufra devant sa gravure "La Vague"”, c. 1900
Etching and drypoint
7 ⅛" x 5"
Signed in plate
“Portrait de son ami Maxime Maufra devant sa gravure "La Vague"”, c. 1900
Etching and drypoint
7 ⅛" x 5"
Signed in plate
Rops, Felicien J.V.
(1833 - 1898)
Belgian
“La Presse (Exteens 589)”, c. 1890
Etching
Design for the calling card of printer F. Nys
3 ¼" x 4 ⅝"
“La Presse (Exteens 589)”, c. 1890
Etching
Design for the calling card of printer F. Nys
3 ¼" x 4 ⅝"
Somm, Henri
(1844 - 1907)
French
“Femme assise au poisson”, c. 1883
Drypoint printed on simile Japan parchment
3rd State/?
Edition of 2
9 ½" x 12 ½"
Signed and annotated “3eme état 2 épreuves” in pencil in margin
“Femme assise au poisson”, c. 1883
Drypoint printed on simile Japan parchment
3rd State/?
Edition of 2
9 ½" x 12 ½"
Signed and annotated “3eme état 2 épreuves” in pencil in margin
Tissot, James Jacques-Joseph
(1836 - 1902)
French
“Le Portique de la Galerie nationale à Londres (W. 40)”, 1878
Etching and drypoint
Edition about 100
14 ⅞" x 8 ¼"
Signed and dated in plate
“Le Portique de la Galerie nationale à Londres (W. 40)”, 1878
Etching and drypoint
Edition about 100
14 ⅞" x 8 ¼"
Signed and dated in plate
Trignac, Gérard
(1955 - )
French
“Le Salon”, 2008
Etching and drypoint
2nd State/2
Edition of 50
8" x 6 ⅜"
Signed, titled, numbered and dated in pencil in margin
“Le Salon”, 2008
Etching and drypoint
2nd State/2
Edition of 50
8" x 6 ⅜"
Signed, titled, numbered and dated in pencil in margin
Villon, Jacques
(1875 - 1963)
French
“Le Potin (G & P 96)”, 1905
Drypoint and aquatint printed in greenish ink
3rd State/3
Edition of 50
16 ¼" x 22 ½"
The sitter is Yvonne Bon, Madame Raymond Duchamp, the artist's sister-in-law
Blind stamped "Ed. Sagot Paris" in margin
Signed in plate
Signed and annotated "Nº 35" in pencil in margin
“Le Potin (G & P 96)”, 1905
Drypoint and aquatint printed in greenish ink
3rd State/3
Edition of 50
16 ¼" x 22 ½"
The sitter is Yvonne Bon, Madame Raymond Duchamp, the artist's sister-in-law
Blind stamped "Ed. Sagot Paris" in margin
Signed in plate
Signed and annotated "Nº 35" in pencil in margin
Whistler, James Abbott McNeill
(1834 - 1903)
American
“Afternoon Tea (W.147, L.114, Chicago 173)”, 1897
Transfer lithograph
Edition about 100
7 ½" x 6 ¼"
Monogrammed in stone with butterfly
“Afternoon Tea (W.147, L.114, Chicago 173)”, 1897
Transfer lithograph
Edition about 100
7 ½" x 6 ¼"
Monogrammed in stone with butterfly
Whistler, James Abbott McNeill
(1834 - 1903)
American
“Gants de suède (W. 26; L. 40; Chicago 35)”, 1890
Transfer lithograph
Published in The Studio 3, No 13, 16 April 1894
Edition of 3000
8 ½" x 4 ¼"
Blind stamped "The Studio London"
Monogrammed in stone with butterfly
“Gants de suède (W. 26; L. 40; Chicago 35)”, 1890
Transfer lithograph
Published in The Studio 3, No 13, 16 April 1894
Edition of 3000
8 ½" x 4 ¼"
Blind stamped "The Studio London"
Monogrammed in stone with butterfly
Whistler, James Abbott McNeill
(1834 - 1903)
American
“Savoy Pigeons (W.118, L.164, Chicago 154)”, 1896
Lithograph
Published by The Studio, London
Edition of 3000
7 ¾" x 5 ⅜"
Blindstamped “The Studio London”
Monogrammed in stone with butterfly
“Savoy Pigeons (W.118, L.164, Chicago 154)”, 1896
Lithograph
Published by The Studio, London
Edition of 3000
7 ¾" x 5 ⅜"
Blindstamped “The Studio London”
Monogrammed in stone with butterfly